Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Gabriella Coslovich

Gabriella Coslovich

Gabriella Coslovich is a Melbourne author and freelance journalist, specialising in the arts. Her Walkley-winning book of true crime, Whiteley on Trial (2017), centres on a case of alleged art fraud involving paintings in the style of Australian artist Brett Whiteley.

Gabriella Coslovich reviews ‘Protecting Indigenous Art: From T-shirts to the flag’ by Colin Golvan

December 2024, no. 471 26 November 2024
In this important book, Colin Golvan – a distinguished senior counsel – recounts some of the most notorious cases of copyright abuses endured by Indigenous artists, their work taken without permission, attribution, or adequate compensation and used on objects ranging from souvenir T-shirts to expensive carpets. An intellectual property barrister, Golvan leads us through the intricacies of thes ... (read more)

Gabriella Coslovich reviews ‘Battle for the Museum: Cultural institutions in crisis’ by Rachel Spence

September 2024, no. 468 27 August 2024
Rachel Spence’s Battle for the Museum reflects a growing movement to redefine the art museum as a site of activism and social change that has gained momentum in the United States and Britain around issues of race, equity, and diversity. Advocating the need for radical transformation, Spence paints an insistently bleak picture of art museums, recording their multiple failings on social, ethical, ... (read more)

Gabriella Coslovich reviews 'What Matters? Talking value in Australian Culture' by Julian Meyrick, Robert Phiddian, and Tully Barnett

November 2018, no. 406 25 October 2018
As I sat down to write this review, a media release popped into my email inbox with the excited news that more than 400,000 people had visited the National Gallery of Victoria’s MoMA exhibition over its four-month duration, making it the NGV’s ‘second most attended ticketed exhibition on record’. This large attendance figure was presumably cited as proof of the exhibition’s success. More ... (read more)