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Claudia Hyles
Claudia Hyles is a Canberra-based writer and reviewer with a great interest in South Asia. Her most recent book So You Can See In The Dark : And other Indian essays (Australian Scholarly Publishing, 2016)
Piano lessons have been a source of joy or frustration for generations of Australians. By the early twentieth century, there was a piano for every three or four Australians. Skill at the pianoforte was an accomplishment that bourgeois parents desired for their children, especially daughters.
Anna Goldsworthy’s beautifully written memoir tells the story of the Melbourne pianist’s coming of age ... (read more)
Strange Museums is a strange book, a kind of fugue whose first theme is introduced by the poem ‘Tortures’ by Polish poet Wislawa Szymborska. It is a lament of evasion, uncertainty, the reservoir of pain that is the body and the inability to escape. It is enlarged da capo with the author’s discovery of a plaque commemorating the day in 1942 when Jews were rounded up and shot in the town of Pi ... (read more)
For Gabrielle Carey, the sight of her mother’s bare feet, soles facing, was almost unbearable. Naked and defenceless, she had never seen them from that angle before. Other parts of a loved one’s anatomy could produce such a feeling – the nape of a beloved neck or an innocent elbow – but on this occasion it was the old feet projecting from the elderly and suddenly compromised body, strapped ... (read more)
Shira Nayman’s first novel is full of echoes and resonances. There may even be an echo of Bernhard Schlink’s The Reader. Set at more or less the same time, The Listener has the same immediate backdrop: World War II, its atrocities and aftermath.
Two years after the end of the war, Dr Henry Harrison – the narrator and listener of the piece – encounters a man who will become his most memora ... (read more)
The deadline for this review was 15 August, India’s Independence Day, freedom at midnight in 1947 for India and Pakistan (whose independence is celebrated on 14 August). The British euphemistically called it a ‘transfer of power’. The subsequent division was termed Partition, an anodyne definition of the act of severing. Centuries of surrender and snatching of the Koh-i-Noor saw many transfe ... (read more)
Ruins is the impressive début novel of Rajith Savanadasa, born in Sri Lanka and now living in Melbourne. He is founder and primary contributor to Open City Stories, a website documenting the lives of a group of asylum seekers in Melbourne, lives that may have been in similar ruins to those described in the book.
Five voices tell the story set in the anxious period at the end of the twenty-six-ye ... (read more)
Amitav Ghosh has spent more than ten years writing the Ibis trilogy, his fictional account of the turbulent years leading to the First Opium War of 1839–42. Flood of Fire follows Sea of Poppies (2008) and River of Smoke (2011). It is unnecessary to have read the earlier books, though reuniting with some of the characters is enjoyable.
The novel begins with the grand spectacle of the East India ... (read more)
Two government acts shaped Tina Faulk’s life: Ceylon’s 1956 Official Language Policy Act, known as the Sinhala Only Act, and Australia’s Immigration Restriction Act of 1901, better known as the White Australia policy. The first virtually disenfranchised not only Faulk’s Burgher community, but also Sinhalese and Tamil middle-class élites, whose primary language, outside the family circle, ... (read more)
In 515 bce, Scylax, explorer and storyteller, sets sail from Caspatyrus in King Darius’s empire. Eclipsing time, this antique glimpse shifts to an archaeological dig in Turkey in 1914, one that is abandoned when war breaks out.In the service of ‘king and country’, lives change immeasurably. Vivian Rose Spencer exchanges archaeology for nursing wounded soldiers in London hospitals. Qayyum Gul ... (read more)