Kevin Foster

It’s a provocative title. Forty-two years ago, Phillip Knightley’s The First Casualty: From the Crimea to Vietnam: The war correspondent as hero, propagandist, and myth-maker (1975) kick-started a new field of media history. Knightley’s rollicking account of journalistic connivance with political and military power from the Crimean to the Gulf Wars spared his industry nothing. The fourth est ... (read more)

Chester Wilmot was blessed with the professional reporter’s principal virtues, talent, self-confidence, resilience, and luck. While his skills as a broadcaster took him to the various fronts of World War II, it was luck, as much as planning, that put him in Tobruk, Greece, and on the Kokoda Track at the precise moments to witness Australia’s armed forces in their first critical tests of the wa ... (read more)

The recent scandal over Facebook’s censorship of Nick Ut’s 1972 photograph of ‘Napalm girl’, Kim Phuc, offers a salutary reminder of photography’s stubborn resistance to narrative orthodoxy or societal norms. The editors at Facebook were hardly the first to fret over the propriety of reproducing the photo. When Ut first brought his film into the Associated Press’s Saigon office, the du ... (read more)

Who was Phillip Schuler? A war correspondent for The Age, his six-week visit to Gallipoli in July and August 1915 produced, inter alia, a few of the rare eyewitness accounts of the battle and resulted in the first extended treatment of the Gallipoli campaign: Australia in Arms (1916). Schuler also compiled a unique photographic record of some of the battlefields and the living conditions in the tr ... (read more)