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Jim Davidson
Jim Davidson is an historian and biographer, and a former editor of Meanjin. He is the author of A Three-Cornered Life: The historian WK Hancock (2010) and the memoir A Führer for a Father: The domestic face of colonialism (2017). His biographies Lyrebird Rising (of the musical patron Louise Hanson-Dyer) and A Three-Cornered Life (of the historian Keith Hancock) have won major awards. His most recent books are Moments in Time: A Book of Australian Postcards (2016) and A Führer for a Father (2017). He is currently writing a double biography of two literary magazine editors, Clem Christesen of Meanjin and Stephen Murray-Smith of Overland.
One of the most interesting developments in recent Australian historiography has been a pushing back of the frontiers, a recovery of times or phases which seemed quite beyond recall, even when remembered. Such history-writing bears something of the character of sounding in archaeology.
... (read more)
While France provided a relative trickle of immigrants – the French in Australia numbered only four thousand at the end of the nineteenth century – its influence in Australia was surprisingly pervasive. Some years ago, an exhibition entitled The French Presence in Victoria 1800–1901 drew together an extraordinary range of materials, including French opera libretti and school textbooks printe ... (read more)
Robin Boyd was that rare thing, an architect more famous for a book than for his buildings.
The Australian Ugliness, first published in 1960, was widely read when it appeared, and for quite some time after – the Penguin editions alone sold nearly 100,000 copies. It was entertaining, satirical, and, with its unwavering judgements, played to the then prevailing yearning for sophistication. Togeth ... (read more)
Melburnians above a certain age will remember Coles in Bourke Street. Unknown to most of them, it stood on the site of another Coles, Cole’s Book Arcade, for half a century probably the most famous shop in Australia. Its founder, Edward William Cole, is now the subject of an engaging biography by Richard Broinowski.
E.W. Cole was born in Kent in rural poverty in 1832. His real father was unknow ... (read more)
Some years ago a perky little tune used to introduce Jong Amis’s programme, Talking About Music. Stravinsky, I thought, listening to the cupped trumpets. But no, the BBC had chosen a piece, by our very own Percy Grainger. Surprise number two occurred when it was announced a few years later that Benjamin Britten himself was conducting an all-Grainger programme in London’s Festival Hall. Could t ... (read more)
When Scholars wandered across our television screens recently, palettes in hand, many were offended by the anachronisms: busts taking artists off to Sydney, or feminist polemics leading out to a car-clogged St Kilda Road. One Summer Again was an impression of Australia’s impressionists, and had the honesty to make that plain; and the more one reads about Roberts, Streeton, and Conder, the more i ... (read more)
Australian classical music. Not quite an oxymoron, but certainly an unfamiliar phrase. Yet Australian literature has been promoted by a battery of university courses overseas, following the beachhead established by Patrick White’s Nobel Prize. Similarly, Australian art has twice had great moments of impact: the Whitechapel exhibition of 1961 for the Nolan–Boyd generation, and now the continuin ... (read more)
In the 1970s, before Malcolm Fraser (ahead of his time) tightened security and made most of the place a no-go zone, Australia House – a regular embassy – also functioned as an informal social amenity for visiting Australians. There was a howling disjunction between their friendliness to compatriots, and the sombre, almost processional formality of the central hall. Newspapers were spread on lo ... (read more)
In Youth, the South African novelist J.M. Coetzee (who has recently taken to the Adelaide Hills) continues the project he began with Boyhood: Scenes from provincial life (1997). We are told by the publishers that this is a novel; indeed, the use of the third person throughout makes this plausible. But there is little doubt that it is autobiographical, if not autobiography; if it is a novel, then t ... (read more)