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I confess that I do not share the knee-jerk negative view of Andrew Lloyd Weber musicals that many of my colleagues profess. His best works, especially those conceived with librettist Tim Rice, stake a legitimate claim on our attention, if only for their consummate skill in identifying ...
... (read more)We live in strange days. Matters once unlikely to raise a flicker of public criticism can now quickly became raging bushfires of self-righteous anger. Such is the accelerant power of social media. Our public discourse is, however, rarely the better for it. Subtlety and nuance are all too frequently sacrificed on the altar of a supposed moral clarity that, among othe ...