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Anders Villani
Anders Villani is the author of Aril Wire (Five Islands Press, 2018) and Totality (Recent Work Press, 2022)
On a fatherhood weekend, the men drag a dead manna gum, chained to a ute, into camp. They’re talking innocence. Is it inborn, or clad layer by layer by behaviour? Around the grey stump the men start chainsaws and crack beers, open a phone (there’s reception), search innocence definition. Blamelessness. Chastity. Childhood. But also integrity, which means innocence. The confusion – that integ ... (read more)
Early in Joel Deane’s third novel, the point of view shifts from the first to the third person as the narrator, Patrick ‘Pin’ Pinnock, reflects on a moment in boyhood, standing atop a diving board at night:
He looks down and sees the white frame of the rectangular pool, but everything inside the white frame is black. The darkness within the frame is his past and future, he thinks, and the ... (read more)
‘Poems reawaken in us,’ writes James Longenbach, ‘the pleasure of the unintelligibility of the world.’ They do so via ‘mechanisms of self-resistance’: disjunctive strategies that work, for Longenbach, to ‘resist our intelligence almost successfully’. What ‘almost’ means here is, of course, a matter of taste – and style. Nonetheless, this Romantic mandate – that poems achiev ... (read more)
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Shannon Molloy’s 2020 memoir, Fourteen, recounted a childhood and adolescence of grisly homophobic violence. Yet many readers of that book – a bestseller, adapted for the stage and optioned for a film production – may find You Made Me This Way noteworthy in part because it reveals what Fourteen left out: the sexual abuse Molloy suffered, beginning at age five, at the hands of an older boy. T ... (read more)
Mirabilia is the plural form of the Latin mirabile: wonderful thing, marvel. Since the publication of her first book, Press Release, in 2007, Lisa Gorton has cultivated such a voice in Australian poetry. Mordant political wit, formal and thematic bricolage, a liquid control of the line, and the ability to trace patterns across the strata of history and society – to rove between time and the time ... (read more)
‘Every sacred language,’ writes Octavio Paz, ‘is secret. And conversely: every secret language … borders on the sacred.’ In the liminal Pyre, poet Maureen Alsop traverses – and erodes – this secret/sacred border, which is also the border of life and death, ‘the valley between our language’ (‘North Channel’). Each of the book’s section titles is a variation on ‘Selenomancy ... (read more)
The lyric subject, literature’s most intimate ‘I’, has vexed critics for centuries. Is it the poet? Is it a fiction, a device? Or is the relation between author and speaker, as Jonathan Culler suggests, ‘indeterminate’, such that ‘any model … that attempts to fix or prescribe that relationship will be inadequate’? Two new award-winning Australian poetry collections offer fine-grain ... (read more)
When life hides behind the mulch of what lives, can they expect more than this refusal to hold each other in the open?
Lemongrass floss between molars, you wish for foxes. You tell me you don’t wish for them &nbs ... (read more)