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Jack Callil
Jack Callil is an editor and writer living in Naarm/Melbourne, living on the land of the Wurundjeri-willam people of the Kulin Nation. He was the digital editor of Australian Book Review. As a writer, his work has appeared in The Guardian, The Age, Sydney Morning Herald, The Saturday Paper, The Monthly, and VICE, among others.
Just as the great oceans have but one taste.the taste of salt, so too there is but one taste fundamental to all true teachings of the Way and this is the taste of freedom.
This quote from Buddha opens Tasting Salt, Dowrick’s second novel, and freedom is its main theme. But the freedom in question is of the quiet domestic kind rather than the revolutionary clenched-fist-and-anthem kind. Cord ... (read more)
If our technology-infused world were a great beast, the engorged heart of it would be Silicon Valley. A region of the San Francisco Bay Area, the Valley is the birthplace of the modern start-up, a mecca for tech pilgrims and venture capitalists. A typical start-up has simple ambitions: become a big, rich company – and do it fast. Think Amazon, Facebook, Twitter, Airbnb, Uber, Tinder, Snapchat. L ... (read more)
There is something fundamentally irritating about Adam Sandler. Whether it’s his two-dimensional characters, mousey face, or nasally voice, he reminds you of that obnoxious guy whose loud voice dominates a party. He is the poster boy of puerile comedy, the SNL-alum visionary of some of the most blasphemously bad films of all time. The sheer offensiveness of his work is unignorable: the homophobi ... (read more)
For anyone who has seen I, Daniel Blake (2016), the baked-beans scene is likely to be burnt upon the brain. It is a harrowing moment, one that draws attention to the brutal lives of many people who depend on the British welfare system. The film, which won the Palme d’Or at Cannes, tapped into what for many was a daily existence. Now its director, the octogenarian auteur Ken Loach, has returned w ... (read more)
Matteo Garrone likes to peel back Italy’s skin to expose what writhes beneath. The director’s earlier breakout film Gomorrah (2008), an unforgettable sprawling epic, explores the Camorrah crime syndicate from its bottom-feeding wannabes to its corrupt political élite. Reality (2013), a satirical tale of a fishmonger going to desperate lengths to become a reality-television star, is a nod to S ... (read more)
Uncertainty is the new norm. Nationalist rhetoric is rife. Donald Trump is running for the US presidency. It’s June 2016 and the Brexit referendum has dazed the international community, heralding the start of the United Kingdom’s glacial extraction from the European Union. Amid the turmoil, Scottish novelist Ali Smith releases Autumn, the first, she foreshadows, of a seasonal quartet intended ... (read more)
Hare’s Fur is about what follows grief. Russell Bass, a seventy-two-year-old potter, lives alone in Katoomba. Adele and Michael, his wife and child, have both died. Time still passes. He wakes early, drinks coffee, visits friends, throws clay.
One morning, seeking basalt for glazes at a nearby creek, Russell discovers three siblings living in a cave: two young children, Todd and Emma, and ... (read more)
A man sits on a chair in a field, hands clasped together. He runs into the open grass before collapsing onto the ground. Grasping a handful of earth, he holds it high above his head and lets it fall over his face. He sits up, draws a palm across his mouth, and looks at the sunset. He grins.
Vincent van Gogh is an artist difficult to see clearly. Endlessly reimagined, the post-Impressionist ... (read more)