ABR Arts Performing Arts
When culture worships youth, what does an ageing artist make of his myth?
Most viewers of Strictly Ballroom: The Musical will enjoy themselves to a certain extent and for a certain duration. While my own misgivings were frequent, the large audience received the show warmly and rose, albeit half-heartedly, at the curtain call. The show rests on the s ...
After two hapless ventures into the world of Verdi in 2013 (his bicentenary year), Opera Australia has given us an entertaining new production of Rigoletto – one that will probably stay in the company’s repertoire for as long as its lucrative predecessor.
Elijah Moshinsky’s slick production (1991), which leaned on Fellini’s La Dolce Vita, was just one of many radical updatings of Verdi’s 1851 masterpiece, which had its première in Venice. Director Roger Hodgman bucks this trend and restores the opera to sixteenth-century Mantua.
... (read more)Hobart is the ideal place in which to have a festival. Big enough to have other attractions but small enough so that the festival becomes a major event rather than just another diversion. A walk through Battery Point, followed by a long lunch at Salamanca Place with congenial fellow festival goers, or a trip out to MONA to wander through the psyche of David Walsh ar ...
Hobart is the ideal place in which to have a festival. Big enough to have other attractions but small enough so that the festival becomes a major event rather than just another diversion. A walk through Battery Point, followed by a long lunch at Salamanca Place with congenial fellow festival goers, or a trip out to MONA to wander through the psyche of David Walsh are exceptional ways to spend the day before the next performance.
... (read more)Stephen Berkoff has always been the bad boy of British theatre. At East’s London première in 1975, the critics howled. Berkoff’s first play was filthy, with explicit references to sex and violence. Yes, the 1950s had spawned Kitchen Sink Drama, exposing the lives of the lower classes to a predominantly middle-class British stage. But Berkoff’s c ...
Stephen Berkoff has always been the bad boy of British theatre. At East’s London première in 1975, the critics howled. Berkoff’s first play was filthy, with explicit references to sex and violence. Yes, the 1950s had spawned Kitchen Sink Drama, exposing the lives of the lower classes to a predominantly middle-class British stage. But Berkoff’s c ...
At a time when a convicted drug smuggler is rumoured to be about to collect a fortune for her remarkably unremarkable story and when we are heading into a new round of so-called ‘culture wars’, in which an extraordinary amount of heat will be generated with precious little light accompanying it, it is refreshing to be presented with another of Michael Gow’s fo ...
At a time when a convicted drug smuggler is rumoured to be about to collect a fortune for her remarkably unremarkable story and when we are heading into a new round of so-called ‘culture wars’, in which an extraordinary amount of heat will be generated with precious little light accompanying it, it is refreshing to be presented with another of Michael Gow’s fo ...
It’s a story biblical in resonance: prodigal son Hunter returns after seven years in the wilderness, to find younger brother Gordon finalising a lucrative real estate deal; the homestead’s boarded up, ageing Mum has been moved to a tiny flat, and the Utopia they knew as boys is set for redevelopment. The brothers come to blows, family secrets are uncovered, and ...
With aching feet, bursting bladders, and the odd carrot for sustenance, Samuel Beckett’s famous pair of tramps have shuffled on to the stage of the Sydney Theatre for an extended run, though run is hardly the apposite word for this stationary duo. Perhaps one could call it an extended slump.
Waiting for Godot (first pe ...