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Ten years ago, when she was in her early fifties, Inga Clendinnen fell ill with a disease of the liver that would have killed her if transplant surgery had not improved in time to save her life. In hospital she began to write, as much to hold herself together as for any other reason. Without a trace of self-pity she tells of the frightening first symptoms of her illness, its diagnosis and the initial gloomy prognosis, her times in hospitals, her responses to the hospital, to other patients and to that special group of ‘comrades’ who have suffered the same illness and its awesome treatment.

This collection is well named: dreams drive its narratives. Dreams or something like dreams – ghosts, memories, shadowy gleams. We are always close to the ‘mystery of suspended expectation’, as Malouf puts it in the title story, but never quite penetrate it. In dreams, you might say, begin responsibilities – that’s Yeats – and yes, flashes of knowledge, obscure reconciliations.

We should no longer marvel at the way art historians are forever finding yet another woman artist to rescue from undeserved obscurity. With Patricia R. McDonald’s tribute to Barbara Tribe we have the work of this eclectic Australian sculptor finally validated in a handsomely produced monograph.

‘I remember only peripheries, not centres,’ Michèle Drouan says in her memoir of marriage to a Jordanian and life with his family in a village near Jordan’s borders with Syria and Lebanon. Her perspective is deliberately oblique. Elegantly shaped, and or the most part gracefully written, her story bypasses the obvious cultural divisions. Political, religious, and sexual tensions are given minimal treatment. No dates are given: you would hardly know that the Gulf War comes within the book’s timespan, and when the sound of bombs is heard from across the border, someone quietly says ‘Lebanon’, and leaves it at that.

Given the recent happenings in East Timor, this is a timely novel. It is the moving story of the developing tragedy following the withdrawal of Portugal from its former colony and the invasion by Indonesia. The book is focused through Jose, a fourteen-year-old boy who finds the events puzzling and distressing. He finds some solace in the fighting cock given to him by his uncle, the person he most relies on for wisdom and guidance. Eventually, at the insistence of his mother, he is evacuated to Portugal, where he becomes a lawyer working for Amnesty International. The last chapter brings the book full circle, as we have first met Jose as an adult, in his law office in Lisbon, looking at a paperweight which holds the tail feather of a fighting cock.

Louis Nowra was born in 1950 and is – as he presents himself in this memoir – that very mid­-century thing, an outsider. An outsider in terms of class, mental constitution, and sexuality (for a time), Nowra suffers a worse, and originary, alienation from his mother. Being born on the fifth anniversary of his mother’s shooting of her father ...

List of essentials for a trip to Sydney in 2000: airline ticket, style-repellent, a buddy at SOCOG, rather a lot of money, and, uh-oh, excess baggage alert. I’m afraid these two big paperbacks are a must. With the Olympics looming, an outbreak of books about Sydney was inevitable. But fear not, discerning readers. Jack Egan and Tim Flannery’s tributes to Australia’s first city are not the quick-and-slick kind. Opportunistic they may be, but you can tell they’re done with love.

When I was still a jot at uni, a medical student friend stumbled late out of her latest lecture and reassured me. And then she assured me, ‘It was horrible! We had slide after slide of some dead smoker’s lungs. And they were disgusting! I’m gonna be sick! Give me a cigarette!’ That’s when I first understood that ‘smoking’ was not ever going to be a straightforward subject.

‘Look, here I am, I’m sixteen and I’m hundreds of miles from home! I want adventure! I want excitement! I want to boldly go where no Noble has gone before. Look at me! Look! Look!’ In Leonie Stevens’s Eat Well and Stay Out of Jail, Vicky Noble has left Melbourne to escape the tedium of a shelf-stacking job at the supermarket and the torment of a publicly failed romance. Vicky wants more than just to run away from her life. She craves a brand new one, preferably on the Jack Kerouac model.