Australian Fiction
Frances Kelly reviews 'Jigsaw Bay' by John Merson and 'Restless: Stories of flight and fear' by Garry Disher
More than ever books on today’s market have strong competition – particularly so if the title is intended for the 10+ reading audience. Publishers of children’s literature are responding to the need to entice a reading audience from the many technological forms of vivid and spectacular entertainment. Jigsaw Bay deserves a mention in this capacity.
The puzzle of Jigsaw Bay begins on an autumn morning as Danny McCall sets off, not to school, but to a secret place on the bay where he is playing truant with Yoko and Sam who will soon be part of the mystery. The plot is a good action one, strongly based in environmental ecology, corruption, and power. Danny, Yoko, and Sam with the help of greenie school teacher Bob and some slick court room tactics eventually win out and the murky details of corruption in Billington are revealed. The ideas in the plot kept me reading to the end of the book which is intended to attract readers by its directness and lack of complexity. I question, however, whether in an effort to succeed, the author has underestimated his audience and with the very best of intentions has ended up short changing readers.
... (read more)Katharine England reviews 'A Dream of Seas' by Lilith Norman and 'The Secret Beach' by Jackie French
Lilith Norman’s exquisite novella was first published in 1978 and was an IBBY Honour Book in 1980. Set in a lovingly realised Bondi, the archetypal seaside suburb, the book packs a huge amount into its seventy-eight pages: life, death, love, grief; a question of focus; and, drawn in spare and beautifully controlled strokes, the disparate two worlds that touch at the shoreline.
... (read more)J.R. Carroll reviews 'Ruddy Gore' by Kerry Greenwood and 'Without Warning' by Peter Yeldham
In her previous Phryne Fisher instalment, Blood and Circuses, Kerry Greenwood took advantage of her knowledge of circus and carnival life to weave an intriguing tale spotlighting a whole host of oddball types. Now in Ruddy Gore she uses her insider’s familiarity with the precious world of the theatre to similar effect. Greenwood always handles her material with a deft, almost disdainful assurance, and this book is no exception. The year is 1928, and a special performance of the Gilbert and Sullivan comic opera Ruddigore is being staged at Her Majesty’s to honour the famous aviator, Bert Hinkler. On her way to the theatre Phryne intervenes in a fight involving a Chinese man, then during the show two of the actors are poisoned, one fatally, and Phryne’s services are engaged by Management to solve the mystery.
... (read more)Adam Shoemaker reviews 'Bridge of Triangles' by John Muk Muk Burke
This is a fascinating publication. The first book by Wiradjuri author John Muk Muk Burke, Bridge of Triangles, is really free-form short fiction than a novel proper. Novella length, it is episodic, impressionistic, often poetic and openended. And, while it has many strengths, this 1993 winner of the David Unaipon Award for Aboriginal and Torres Strait Islander authors is ultimately a disquieting piece of work.
... (read more)Are you a regional writer?
I suppose I am, if your definition of a regional writer is someone who evokes atmosphere and themes which have a particular relevance for a region. Firstly, to take the most obvious thing there has always been a particular buccaneering business style, dating from the days of the goldrush of the 1890s and in various eras since, and the whole 1980s materialistic era was written even larger on the West Coast than other places. Going even further back in historical terms when you think of the peculiarities of the exploration of this coast, both by the French and the Dutch, that is something which distinguishes the West Coast. Because of my particular enthusiasm for history and research and canvassing matters of the early exploration, it is a theme which has found its way into three or four of my books.
... (read more)Like Drusilla Modjeska’s earlier book, Poppy, this is a book that resists easy classification. It’s the sort of book that may infuriate those who like their ideas served up in separate self-contained portions: fiction, history, biography, criticism. It’s also likely to confound librarians and booksellers, faced with the problem of where to shelve it. Modjeska’s ideas are not answerable to the Dewey Decimal System.
... (read more)Okay I’ve just finished reading Tim Winton’s The Riders. I’ve scribbled notes on pages all the way through, but I don’t want to go back and consult them. Who wants to return to hell?
... (read more)Marie Maclean reviews 'The Unusual Life of Tristan Smith' by Peter Carey
This is a dazzling book. A sprawling, sensual, rambunctious marvel of a novel, it drives its readers out of their everyday world and every comfortable preconception. It takes enormous risks, not least that of demanding our understanding for the monstrous.
... (read more)Judith Armstrong reviews 'To the death, Amic' by John Bryson
The trial of Lindy Chamberlain drew the fascinated attention of most Australians when it was reported day and night in every media outlet. It moved into a different but equally popular mode with the publication of John Bryson’s documentary novel Evil Angels and the screening of Fred Schepisi’s film of the same name. The novel not only won a clutch of awards but was translated into nine languages, a sufficient achievement to earn its author an enduring international reputation and to globalise what might otherwise have been a short-lived local curiosity. Bryson’s account picked up the dramatic intensity of the Central Australian setting and the human agonies of the players, as well as the universal issues, such as justice and prejudice, that towered over the Rock and the courtroom.
... (read more)You can’t help wondering which came first for Brian Castro – the theme/structure of his new novel or the M. C. Escher woodcut reproduced on its cover. It doesn’t seem possible that such an organic match should be fortuitous, although one of Escher’s soubriquets is ‘the poet of the impossible’, and among writers Castro is a prime candidate to share the title. Now that it has been drawn to my attention it is also of course obvious that the seaside hotel in After China was built to Escher specifications.
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