Australian Poetry
Joan Fleming reviews 'Domestic Interior' by Fiona Wright and 'The Tiny Museums' by Carolyn Abbs
The classic lyric preoccupation with interiority, and how internal life touches and changes the outside world, finds expression in two recent collections of poetry: Fiona Wright’s ...
... (read more)ending on a line by John Burnside
No one on the boats, just cats – thin, furtive.
There’s the blown cry of terns and the wheedling
embarkations of crows, but you will not slip
1.
‘My new persona helped me to make money,’ says the streamer,
but cruel and petty, unhoped for ideal like a hovercraft shimmers
behind a definition of a chair ...
Judith Bishop’s Interval appears just over a decade since the publication of her first book, also using a one-word title, Event (Salt, 2007). This gap seems far too long. Certainly, there have been two chapbooks in the intervening years – Alice Missing in Wonderland and Other Poems (2008), in the Wagtail series ...
... (read more)ABR is pleased to present the shortlist for the 2021 Peter Porter Poetry Prize, which this year received a record field of 1,329 entries from thirty-three different countries. Congratulations to those who reached the shortlist: Danielle Blau, Sara M. Saleh, Jazz Money, Raisa Tolchinsky, and Y.S. Lee.
... (read more)ABR is pleased to present the shortlist for the 2022 Peter Porter Poetry Prize, which this year received 1,328 poems from thirty-four countries. Congratulations to those who reached the shortlist: Chris Arnold, Dan Disney, Michael Farrell, Anthony Lawrence, and Debbie Lim. Each of their poems is listed below in alphabetical order by author. For the full longlist, click here.
... (read more)David McCooey reviews 'Renga: 100 poems' by John Kinsella and Paul Kane
Poets aren’t generally known for being great collaborators. Wordsworth and Coleridge’s 'Lyrical Ballads' (1798) is a rare example of a co-authored canonical work of poetry. 'Renga: 100 poems', by John Kinsella and Paul Kane, has some similarities to 'Lyrical Ballads'. Like those of its ...
... (read more)Toby Fitch reviews 'Brink' by Jill Jones and 'Passage' by Kate Middleton
The poetic epigraphs that introduce all three sections in Brink, Jill Jones’s tenth full-length poetry collection, are collaged fragments from the poems proper. Moodily, they skirt the edges of what’s to come: ‘I am to proliferate.’ The poems then, in all their multiplicity, evoke and explore being on the brink – of knowing, feeling ...
... (read more)David McCooey reviews 'David Malouf and the Poetic: His earlier writings' by Yvonne Smith
Plenty of novelists begin life as poets. Few, though, have managed to maintain their status as poet–novelists quite so impressively as David Malouf. But even Malouf, in his ‘middle period’, more or less dropped poetry for his ‘big’ novels ...
... (read more)Peter Kenneally reviews 'These Things Are Real' by Alan Wearne
Alan Wearne’s work over the past thirty years or so – dense, demanding, unique, rewarding – is like the oeuvre of a cinematic auteur: one that never quite got onto the syllabus, or brought out the crowds at Cinémathèque. Technique above all, most of the time, but allied with real if unfamiliar emotion, even if the narrative needed the reader to have the right ...
... (read more)