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Australian Poetry

The classic lyric preoccupation with interiority, and how internal life touches and changes the outside world, finds expression in two recent collections of poetry: Fiona Wright’s ...

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Published in May 2018, no. 401

'The Boathouse' by Judith Beveridge

Judith Beveridge
Tuesday, 27 March 2018

ending on a line by John Burnside

No one on the boats, just cats – thin, furtive.
There’s the blown cry of terns and the wheedling
embarkations of crows, but you will not slip

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Published in April 2018, no. 400

'Spring Idylls' by Gig Ryan

Gig Ryan
Tuesday, 27 March 2018

1.
‘My new persona helped me to make money,’ says the streamer,
but cruel and petty, unhoped for ideal like a hovercraft shimmers
behind a definition of a chair ...

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Published in April 2018, no. 400

Jill Jones reviews 'Interval' by Judith Bishop

Jill Jones
Tuesday, 27 March 2018

Judith Bishop’s Interval appears just over a decade since the publication of her first book, also using a one-word title, Event (Salt, 2007). This gap seems far too long. Certainly, there have been two chapbooks in the intervening years – Alice Missing in Wonderland and Other Poems (2008), in the Wagtail series ...

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Published in April 2018, no. 400

The 2021 Shortlist

Australian Book Review
Thursday, 22 February 2018

ABR is pleased to present the shortlist for the 2021 Peter Porter Poetry Prize, which this year received a record field of 1,329 entries from thirty-three different countries. Congratulations to those who reached the shortlist: Danielle Blau, Sara M. Saleh, Jazz Money, Raisa Tolchinsky, and Y.S. Lee.

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The 2022 Shortlist

Australian Book Review
Thursday, 22 February 2018

ABR is pleased to present the shortlist for the 2022 Peter Porter Poetry Prize, which this year received 1,328 poems from thirty-four countries. Congratulations to those who reached the shortlist: Chris Arnold, Dan Disney, Michael Farrell, Anthony Lawrence, and Debbie Lim. Each of their poems is listed below in alphabetical order by author. For the full longlist, click here.

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Poets aren’t generally known for being great collaborators. Wordsworth and Coleridge’s 'Lyrical Ballads' (1798) is a rare example of a co-authored canonical work of poetry. 'Renga: 100 poems', by John Kinsella and Paul Kane, has some similarities to 'Lyrical Ballads'. Like those of its ...

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Published in March 2018, no. 399

The poetic epigraphs that introduce all three sections in Brink, Jill Jones’s tenth full-length poetry collection, are collaged fragments from the poems proper. Moodily, they skirt the edges of what’s to come: ‘I am to proliferate.’ The poems then, in all their multiplicity, evoke and explore being on the brink – of knowing, feeling ...

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Plenty of novelists begin life as poets. Few, though, have managed to maintain their status as poet–novelists quite so impressively as David Malouf. But even Malouf, in his ‘middle period’, more or less dropped poetry for his ‘big’ novels ...

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Peter Kenneally reviews 'These Things Are Real' by Alan Wearne

Peter Kenneally
Friday, 24 November 2017

Alan Wearne’s work over the past thirty years or so – dense, demanding, unique, rewarding – is like the oeuvre of a cinematic auteur: one that never quite got onto the syllabus, or brought out the crowds at Cinémathèque. Technique above all, most of the time, but allied with real if unfamiliar emotion, even if the narrative needed the reader to have the right ...

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Published in December 2017, no. 397