Black Inc
Kate Middleton reviews 'The Best Australian Poems 2011' edited by John Tranter
With the recent focus on new anthologies in the Australian poetry community firmly placed on UNSW Press’s Australian Poetry Since 1788 (edited by Geoffrey Lehmann and Robert Gray) and the publication of two anthologies dedicated to the work of younger poets (UQP’s Thirty Australian Poets and ...
... (read more)Joel Deane reviews 'The Sweet Spot: How Australia made its own luck – and could now throw it all away' by Peter Hartcher and 'The Fog On The Hill: How NSW Labor lost its way' by Frank Sartor
On 7 November, Paul Keating appeared on ABC TV’s 7.30 to promote his new book of speeches, After Words. Keating’s response to Leigh Sales’s first question about political leadership was instructive:
... (read more)Ruth Starke reviews 'The Best Australian Stories 2011' edited by Cate Kennedy
The ABC Shop is currently selling online The Best Australian Stories 2010 for $14.99. ‘Ideal for summer reading’ its advertising says, and it surely doesn’t matter which summer. At that price you might get yourself a copy and sling it in your beach bag, unless you suspect it might dampen your holiday mood. More than a few reviewers found the overall tone of the collection bleak and negative: ‘one of the more depressing reads of the year’, wrote Chris Flynn in these pages (February 2011). If that doesn’t sound like ideal beach reading, shell out the full RRP and buy The Best Australian Stories 2011.
... (read more)Peter Mares reviews 'Into the Woods: The Battle for Tasmania’s Forests' by Anna Krien
On the day that I finished reading Into the Woods, I opened the newspaper to a report that Gunns was withdrawing from native forest logging to base its future business entirely on plantation-grown timber. Given that Gunns controls almost eighty-five per cent of the wood products traded in Tasmania, this has raised hopes of an end to the decades-old forest w ...
Robert Phiddian reviews 'Bad News: Murdoch’s Australian and the Shaping of the Nation' (Quarterly Essay 43) by Robert Manne
Were I Editor in Chief of The Australian for a day, the first thing I would do is can the ‘Cut and Paste’ section on the Letters page. Its schoolyard bullying of the fools and knaves idiotic enough to oppose the paper’s line – usual suspects include Fairfax journalists, the ABC, Greens politicians, Tim Flannery, and Robert Manne – lies at the heart of what stops The Australian from being a great newspaper. A favourite game is quoting a commentator saying discordant things at different times. As an argument, this is right up there with great moments in adolescent wit like, ‘You said Chanelle was a slag last week, and now you are going out with her!’
... (read more)It is a mark perhaps of her publisher’s confidence and her own bestselling status that the cover of Alice Pung’s second book has her name in large print, dwarfing even the title itself. Her Father’s Daughter is the sequel to Pung’s Unpolished Gem (2006), and the memoir picks up a couple of years later with the author having dusted away adolescence and now being in the midst of the equally bewildering twenty-something years.
... (read more)John Rickard reviews '1835: The Founding of Melbourne and the Conquest of Australia' by James Boyce
The title of this book might, to an innocent observer, suggest a triumphalist history, an impression that could be reinforced by the preface, which argues that the setting up of a squatters’ camp on the banks of the Yarra in 1835 ‘had a significance far beyond the baptism of a great city’, and concludes with the ...
... (read more)Philip Mead reviews 'The Best Australian Poems 2010' edited by Robert Adamson
Anyone who hasn’t caught up with the thriving diversity of recent Australian poetry should get hold of this second annual anthology from Black Inc. edited by Robert Adamson. It’s a richly impressive selection from all corners of the Australian poetic field and across the generations, from Bruce Dawe and Frank Kellaway to younger poets yet to publish a first book. For more specialist readers, with a comparative eye on contemporary poetry in English, Adamson’s soundings demonstrate amply how mature and vital Australian poetry is.
... (read more)Chris Flynn reviews 'The Best Australian Stories 2010' edited by Cate Kennedy and 'New Australian Stories 2' edited by Aviva Tuffield
Amore appropriate moniker for this year’s Black Inc. collection might be ‘Bleak Australian Stories 2010’. Either the editor’s taste runs to the morose or Australian writers need to venture outside and enjoy the sunshine a little more...
... (read more)Robert Gibson reviews 'The Sound of Pictures: Listening to the Movies, From Hitchcock to High Fidelity' by Andrew Ford
Claudia Gorbman, in her ground-breaking and much-admired book Unheard Melodies: Narrative Film Music (1987), invites us to imagine an alternative cinematic universe, one in which music has never played a part. Imagine if this were the norm, and imagine, after years of being accustomed to films in which music was absent altogether, attending a film such as the 1940s weepie Mildred Pierce and hearing the ebb and flow of Max Steiner’s luscious orchestral score. ‘What sheer artifice this would appear to the viewer! What a pseudo-operatic fantasy world! What excess: every mood and action rendered hyperexplicit by a Wagnerian rush of tonality and rhythm! What curious music, as well – robbed of its properly musical structure, it modulates and changes color, chameleonlike, in moment-to-moment deference to the narrative’s images.’ Of course, film music does not always defer to the narrative’s images, but Gorbman makes a good point: our willingness to admit music – music which emanates from a source external to the action on screen – as a perfectly normal constituent of film. It is surprising that we don’t find music in film surprising.
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