Catherine Fisher
In the pre-television era of the early twentieth century, radio reigned supreme. It offered news and light entertainment, but also a means of communion and solidarity for the many women confined to the domestic sphere. In her new book Sound Citizens, historian Dr Catherine Fisher explores how a cohort of professional women broadcasters, activists, and politicians began utilising radio to improve the status and rights of women in Australia. In today’s episode, we hear from writer and historian Dr Yves Rees, who reviewed the book for ABR’s recent September issue. Rees is a David Myers Research Fellow in History at La Trobe University and co-host of the history podcast Archive Fever. Yves has published widely across Australian gender, transnational and economic history, and also writes on transgender identity and politics.
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Yves Rees reviews 'Sound Citizens: Australian women broadcasters claim their voice, 1923-1956' by Catherine Fisher
In the era of perpetual Covid lockdowns, many of us can relate to the isolation of the mid-twentieth-century housewife. Like her, we’re stuck at home, orbiting our kitchens, watching the light move across the floorboards. Each day mirrors the last, a quiet existence spent mostly in the company of the immediate household. Yet whereas we can flee our domestic confines via Netflix or TikTok, last century’s housewife had fewer avenues to the wider world. There was reading, of course – books or magazines or newspapers – but this was usually reserved for the end of the day. For most waking hours, her hands and eyes were needed for cooking, cleaning, mending, childcare, and a thousand other tasks.
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