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Elisabeth Holdsworth

Elisabeth Holdsworth reviews 'For the Patriarch' by Angelo Loukakis

Elisabeth Holdsworth
Tuesday, 27 September 2011

For the Patriarch first appeared in 1981 and was much lauded, winning a New South Wales Premier’s Literary Award. The work is an important landmark in migrant writing. Angelo Loukakis, although born in Australia, identifies with the first generation of post-World War II migrants who are under-represented in our literature. Their children and grandchildren are the ones who have engaged with the complexities of what it means to be Australian while acknowledging that their roots lie elsewhere.

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Published in October 2011, no. 335

Christine Nixon belongs to the postwar generation of women who were not content to be passed over in favour of men when they entered the workforce, and who refused to accept the notion of a glass ceiling. Germaine Greer changed all our lives; empowered us as second-wave feminists. Nixon rose to the top in two of the most masculine organisations in Australia, the New South Wales and Victorian police forces. She became the first female chief commissioner in Australia, one of a handful around the world. Sadly, her legacy is now compromised. Fair Cop explores how this happened, and why.

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The title of this new book on the Vietnam War comes from the final verse cycle of Tennyson’s Idylls of the King (1869). As Arthur lies dying, he reflects ‘that we / Shall never more ... Delight our souls with talk of knightly deeds’. This Arthurian borrowing for the title of a book about an obscure battle fought by Australians in Vietnam during the 19 ...

Published in June 2011, no. 332

Wirklich, ich lebe in finsteren Zeiten. 
(Truly, I live in dark times.)

When her mother uttered that line from Bertolt Brecht’s great poem ‘An die Nachgeborenen’, Juliana – the narrator of Elisabeth Holdsworth’s first novel – knew they were in for a hard time. Janna had returned to the Netherlands from Da ...

Published in April 2011, no. 330

On 4 October 1918, one month before he was killed, Wilfred Owen wrote to his mother describing the ‘mop-up’ operations in which his division was engaged. ‘It passed the limits of my Abhorrence. I lost all my earthly faculties and fought like an angel.’ Owen assured his beloved mother that his nerves were ‘in perfect order’. This letter, written by the poet who gave us ‘Anthem for Doomed Youth’, the metaphor of a generation sacrificed like cattle on the battlefield, is a terrible indictment of war and its effect on the human psyche.

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Too many specific years in the twentieth century were said to be ‘pivotal’, but 1968 was clearly a standout. In the United States, Martin Luther King and Bobby Kennedy were assassinated; there were student protests in Paris; and Russian tanks signalled the end of the ‘Prague Spring’. In January 1968, on the other side of the world, in an area once known as French Indochina, the army of the National Liberation Front (the Vietcong) invaded the imperial city, Hué, and all other major cities in South Vietnam. This was the infamous Tet Offensive.

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Private splendours

Elisabeth Holdsworth
Monday, 01 September 2008

The art gallery of South Australia has assembled a cast of expert contributors for the catalogue that accompanied its recent exhibition of European decorative arts. Empires & Splendour: The David Roche Collection, is the most expensive publication to date from AGSA and was published with assistance from David Roche.

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An die Nachgeborenen: For those who come after

Elisabeth Holdsworth
Thursday, 01 February 2007

‘Welcome to the Netherlands!’ the sign says in Dutch and English. The Schipol customs official inspects my Australian passport. ‘Nederlands geboren,’ he sniffs. ‘Zo je komt terug.’ So you’ve come back, he adds, in a tone suggesting that I might have left something behind minutes ago, rather ...

Published in February 2007, no. 288
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