Fiona Wright
States of Poetry 2016 - New South Wales | 'Smith's Lake' by Fiona Wright
The grass grows longer on the easeway.
A pelican swipes the sky
towards the seascape we can't yet see,
its webby legs outstretched:
& ...
States of Poetry 2016 - New South Wales | 'After Mutability' by Fiona Wright
Perhaps the best cells are the ones we can't kill off,
a persistence of the fittest, although mutation's
always painful. It's two thousand and fourteen,
and I know no-one who has been
uninjured. It thinks in me,
this shadow. I put on sunscreen, and am surprised
to come in contact with my skin.
In the same day, I'm chatted up in a café
by an aspiring nove ...
States of Poetry 2016 - New South Wales | 'Crisis Poem' by Fiona Wright
for Ian
And suddenly:
the men
are holding beers
and standing round
the trampoline,
and not the barbecue;
turning over toddlers,
instead of steaks.
The women
make the salads.
Fiona Wright
Recording
States of Poetry 2016 - New South Wales | 'Potts Point' by Fiona Wright
for Eileen
The light's older
in these sandstone suburbs,
jam-thick.
A clipped-haired man held a dog leash
saying one of us is single,
and even the leaves
had hunched their shoulders
in the gutters.
A waiter, golden-brown as a bread loaf,
squirted water at the pigeons
that sat cock-headed at the tables. My tart
States of Poetry 2016 - New South Wales | 'Set Piece' by Fiona Wright
Strange, that there are sequences
we live as cinema, if I looked
over my shoulder
I might recognise the front wall
of my bedroom
opened out towards the camera,
my furniture as hollow
as a stage p ...
States of Poetry 2016 - New South Wales | About Fiona Wright
Fiona Wright is a writer, editor and critic from Sydney. Her poetry collection, Knuckled, won the 2012 Dame Mary Gilmore Award, and her book of essays Small Acts of Disappearance was publ ...
Emily Laidlaw reviews 'Small Acts of Disappearance' by Fiona Wright
Reflecting on the first day she attended a clinic for eating disorders, Sydney poet Fiona Wright admits: 'I'm ... not sure that I would ever have gone ahead with the admission if I hadn't thought that I could write about it later.' This is a remarkably self-aware statement, one that encapsulates the fierce intelligence of her linked essays in Small Acts of Disap ...
There’s a still point in the afternoon
when the cross-eyed dogs
in the smudged pet-shop window
are a distraction:
Knuckled, poet and editor Fiona Wright’s highly anticipated first collection, arrives with an assuredness of style and voice that augurs well for Australian poetry. The overarching idea of ‘knuckles’ – of being knuckled, of beating knuckles, of the working joints of bare hands, even the throwing of knuckles in a game of chance – gives us a strong clue to the collection’s main themes. These fluent and highly evocative poems bring a sharply observed, sometimes bruised, sometimes raw and violent sense of the worlds they document. The poet as watcher and as reflector of such images is a robust filter through which to moderate the world of perception, and yet is inevitably precarious in the face of the onslaught from outside; of the intrusion of otherness into the vulnerable sanctuary of the self.
... (read more)Fiona Wright reviews 'Thirty Australian Poets' edited by Felicity Plunkett
Although it has been almost half a century since 1968, a year readily mythologised in Australian poetry, the so-called Generation of ’68 are still the most talked-about contemporary poets. There have been few attempts to define the next generations of poets. Forty-three years is a long definition of what might be deemed ‘contemporary’.
... (read more)