France
Rémy Davison reviews A Certain Idea of France: The life of Charles de Gaulle by Julian Jackson
There is a scene in Monty Python and the Holy Grail outside a castle, brimming with French men-at-arms, who taunt King Arthur and his knights remorselessly, while the Britons are convinced that the Holy Grail lies behind the drawbridge. The Grail was, of course, membership of the Common Market ...
... (read more)Gemma Betros reviews 'Left Bank: Art, Passion and the Rebirth of Paris 1940–1950' by Agnès Poirier
A country that fails its purge is about to fail its renovation,’ warned French-Algerian writer Albert Camus in a January 1945 editorial. Camus’ ominous edict, issued in the weeks following the end of Germany’s occupation of France, encapsulates something of what Agnès Poirier is trying to say in this ...
... (read more)Natalie J. Doyle reviews 'Revolution' by Emmanuel Macron, translated by Jonathan Goldberg and Juliette Scott and 'The French Exception: Emmanuel Macron: The extraordinary rise and risk' by Adam Plowright
After a succession of dramatic political events across the Western world in 2016, all eyes were on the French presidential election when it took place in the first half of 2017. Would the French resist the sirens of populism? Would the surprise campaign of the youngest candidate ever, Emmanuel Macron, offer a ...
... (read more)Springtime allows Parisians to indulge their predilection for life en terrasse. Trees and gardens are blooming, neighbourhood markets and squares are coming alive, and the newly pedestrianised right bank of the Seine is busy with walkers and cyclists.
A rollerblading poet stopped to cadge some tobacco from a friend of mine as we were sitting outside a bar on ...
Colin Nettelbeck reviews 'Les Parisiennes: How the women of Paris lived, loved, and died in the 1940s' by Anne Sebba
The eminent French historian Annette Wieviorka, in The Era of the Witness (1998, English version in 2006), analyses the difficulties arising, in writing historical narratives about recent times, from the exponential growth in the number of people wanting their stories to be heard. Wieviorka, whose field of specialisation is the Shoah, traces the trend of wh ...
Episode #13 Peter Rose in conversation with Lee Christofis
Tuesday, 28 February 2017Peter Rose interviews ABR contributor Lee Christofis, who recently attended a number of exhibitions in Paris showcasing works by Léon Bakst, Cy Twombly, and Arnold Schoenberg among others. His visit coincided with the fortieth birthday of the Pompidou Centre. Lee's 'Letter from P ...
Robert Aldrich reviews 'Liberty or Death: The French Revolution' by Peter McPhee
The French Revolution never ceases to fascinate. Marie-Antoinette and Robespierre, the storming of the Bastille and the 'Marseillaise', the Terror and its guillotine ...
... (read more)Peter Monteath reviews 'Fighters in the Shadows: A new history of the French Resistance' by Robert Gildea
Charles de Gaulle remains, for many, the quintessence of Gallic defiance through the dark years of World War II. Not only did he symbolise the famed resistance, he ...
... (read more)After the horrific massacres in Paris and the ensuing ones in Belgium that were purportedly intended for France, the French were spontaneously drawn together ...
... (read more)Sally Burton reviews 'The Faber Book of French Cinema' by Charles Drazin
Charles Drazin tells us that his interest in French cinema began as a student at Oxford in the early 1980s, when he attended screenings at the Maison Française, an institution established after World War II to encourage cultural exchange between Britain and France. Some of the films were obscure, some better known; the audience comprised devotees and newcomers who never quite knew what they were going to see. The free admission, the 16 mm projector, the portable screen fixed to a tripod, even the scraping of chairs on wooden floors contributed to the sense of occasion for the young cinéastes.
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