Fyodor Dostoevsky

Author and scholar Kevin Birmingham has shown that books as much as people are worthy subjects of biography. This year he has followed up The Most Dangerous Book, his award-winning account of the battle to get James Joyce’s Ulysses published, with The Sinner and the Saint, a book about the genesis of another classic: Crime and Punishment. In this week’s episode of The ABR Podcast, Geordie Williamson reads his review of Birmingham’s latest study, one which ‘brings microscopic detail and a sense of drama to the composition’ of Fyodor Dostoevsky’s masterpiece.

There really isn’t another biographer like Joseph Frank – nor a biography to place beside his 2,400-page, five-volume life (1976–2002) of Fyodor Dostoevsky, the wildest and most contradictory of the great nineteenth-century Russian novelists. Frank set out in the late 1970s – a time when historically grounded literary scholarship was losing favour in the academy – to fix Dostoevsky (1821–81) in the complex matrices of Russian history, politics, religion, and culture. An author who had been read in the English-speaking world as a hallucinatory thinker, somewhat detached from reality, could now be seen as one fully imbricated in his era and milieu.

On its first appearance in Russia, Dostoevsky’s novel 'Crime and Punishment' was the hit of the season. It was serialised throughout 1866 in the journal 'The Russian Messenger'. Nikolai Strakhov, Dostoevsky’s first biographer, described the novel’s effect on the reading public as spectacular: ‘[A]ll that lovers of reading talked ...