John Hawke

Like its precursor movements in the modernist avant-garde (Futurism, Cubism, Dada), Surrealism was primarily initiated as an innovation in poetry. The central Surrealist activities were the collaborative experiments in automatic writing, influenced by psychologist Pierre Janet’s Psychic Automatism (1889) and, in poetics, by Pierre Reverdy’s theory of the image as ‘the juxtaposition of two more or less distanced realities’. These experiments, undertaken between 1919 and 1923 by André Breton and his associates (Phillippe Soupault, Louis Aragon, Paul Eluard, Robert Desnos, and others), provide the theoretical basis for Breton’s 1924 ‘Manifesto of Surrealism’, the main tenets of which he would follow consistently for the next forty years.

... (read more)

William Dalrymple’s The Golden Road: How ancient India transformed the world (Bloomsbury, reviewed in ABR, 10/24) explores the ways in which India shaped the ancient (and by extension modern) world. This expansive work is brilliantly readable. I enjoyed it so much that I downloaded the recorded version, which Dalrymple himself narrates. This I have listened to twice. Dalrymple challenges the Western-centric view of history and highlights India’s under-appreciated impact on Asian and Western cultural and economic developments. My second selection is almost a diametrical opposite: a slim book written in incredible haste. Gideon Haigh’s My Brother Jaz (MUP) is an exploration of grief, guilt, remorse, and survival. In January 2024, Haigh impulsively and, one imagines, frenetically began writing about the night his seventeen-year-old brother Jasper was killed. He finished seventy-two hours later. My Brother Jaz is unflinching, painful, and anguished. It is also a remarkable exploration of what it means to go on, to live, to reconcile and remember. ... (read more)

The final poem of this superb collection, ‘The Darkness’, identifies a primal scene. The young protagonist is a nascent poet, watching over the embers of a desert fire in early morning, awaiting the breath of a Pentecostal wind to rekindle the flames. It is a parable which emblematises the difficult task of transformation that is central to poetry itself: the boy contends with ‘fragments / that will not alchemise to song / that yield not / to the metaphrast’.

... (read more)

What the authors of these three wildly different books share is a gift for creating through language a kind of intimacy of presence, as though they were in the room with you. Emily Wilson’s much-awaited translation of The Iliad (W.W. Norton & Company) is a gorgeous, hefty hardback with substantial authorial commentary that manages to be both scholarly and engaging. The poem is translated into effortless-looking blank verse that reads like music. The Running Grave (Sphere) by Robert Galbraith (aka J.K. Rowling), the seventh novel in the Cormoran Strike crime series and one of the best so far, features Rowling’s gift for the creation of memorable characters and a cracking plot about a toxic religious cult. Charlotte Wood’s Stone Yard Devotional (Allen & Unwin, reviewed in this issue of ABR) lingers in the reader’s mind, with the haunting grammar of its title, the restrained artistry of its structure, and the elusive way that it explores modes of memory, grief, and regret.

... (read more)

A quarter of a century has passed since Ivor Indyk contributed a scathing review of John Kinsella’s first collected poems to the pages of ABR (July 1997), and the contending responses to that opinion have typified the reception of his poetry among the vituperative local poetry community ever since. This extravagant representation of his work – two volumes of close to a thousand pages each, with a third volume pending – might seem almost deliberately designed to expose the author to similar criticism. Rather than a conventionally shaped collected edition, this is more like a throwing open of filing cabinets, and the nearly 1,700 pages presented so far are certainly not all masterpieces.

... (read more)

'Circle of Fifths', a new poem by John Hawke

... (read more)

The life and work of Charles Baudelaire (1821–67) must be viewed against the historical background of the crushing failure of the Paris revolution of 1848, in which soldiers massacred three thousand workers. In the elections that followed this unsuccessful working-class uprising, which Baudelaire and his fellow artists supported, the French Romantic poet Alphonse de Lamartine received 18,000 votes, while Louis Napoleon received fifteen million.

... (read more)

Andrea Brady’s monumental study of poetry and constraint focuses on ‘the ways that poets invoke bondage as metaphor while effacing the actuality of bondage’. Milton’s aspiration to deliver poetry from ‘the modern bondage of rhyming’, and Blake’s injunction that ‘poetry fetter’d, fetters the human race’, associate formal freedoms with political liberation. The modernist discovery of free verse was quickly followed by a formalist reaction in the 1940s, which was in turn displaced by renewed experimentation over the following decades.

... (read more)

In the epigraph to this collection, a quote from Jean-Paul Sartre on Edmund Husserl suggests that we are entering a poetic that challenges the possibility of conscious knowledge; consciousness is itself a maelstrom that extrudes the intruder and has ‘no inside’. What follows is both a refutation and embracement of this assertion in chatoyant language that is as thoughtful and melodic as it is powerful. The reader is obliged to work hard to navigate the narrative, and I have rarely read poetry where the search for meaning has been felt so deeply.

... (read more)

This is one of the times you won’t remember.
You are lying side by side with your father

as the radio murmurs, a ghost wind shifting
from magnet to magnet that does not ...

... (read more)