Journalism

Sally Neighbour wrote this book as a direct response to the Bali bombing in October 2002. She was convinced, by that event and its aftermath, that fundamentalist Muslims’ hatred of Westerners was creating an unfamiliar world whose rules she and most Australians did not understand. We are in her debt. In clean prose, informed by meticulous research into a wide range of sources, Neighbour stitches together countless loose strands until they cohere persuasively into a dismaying pattern. Her courage, dispassion and skill present us with conclusions as unpleasant as they are inescapable. Journalism is a term frequently used pejoratively, but this is a thoroughly journalistic book in the best possible sense: it presents evidence, shapes arguments and distils information – a vast amount of information – intelligently and responsibly. Neighbour’s disturbing claims are founded on hard evidence and sober analysis.

Here is what veteran war correspondent and Pulitzer Prize-winner Peter Arnett has to say about American political deliberation in the information age: ‘Government decisions are made by an inside group of Congress and the American public largely doesn’t give a damn. When they vote they don’t vote in terms of international policies; they vote in terms of local issues.’ New Zealand-born Arnett first worked in Vietnam for Associated Press, then in 1981 joined and subsequently became the voice and face of CNN. He has interviewed both Saddam Hussein and Osama bin Laden. How does he explain the US myopia he diagnoses? By looking at the news sources most Americans use: ‘They get talkback radio, which is skewed to the right usually; they look at a bit of television and maybe some magazine shows, and that is it. They don’t give a shit.’ But does he blame them? No. The controversial journalist (CNN, under pressure from government, dismissed him when he fronted a programme that accused the US of using sarin gas on American defectors in Laos) blames his own profession, or at least that part of the profession with corporate clout. ‘All this is the media’s fault. It is the newspapers’ fault for not including a page or two of international news every day so that people, like it or not, are going to see it.’ Nor does Amell spare the television networks: ‘CNN should be doing more, even though it has limited viewership; it should be doing more than covering celebrity stuff now, which it does domestically. Fox is a joke. There is an ignorance that is growing in America and it is frightening.’

All too often, so-called manuals for screenwriters, novelists and poets begin by letting the reader know how unlikely it is that they will ever get published, let alone make a living. Fortunately, journalist and RMIT journalism lecturer Matthew Ricketson avoids this private-club view of the journalism profession. He points out that there are about 370 newspapers, ranging from dailies and suburban weeklies to regional and multicultural newspapers. There are also more than 3000 magazines in the Australian market.

I must confess I picked up this celebrity autobiography, complete with embossed cover and a price suggestive of a huge print run, without anticipation. I could not have been more wrong. Mike Munro’s excoriating and frank account of his abused childhood and early years in journalism chronicles a survival story that is Dickensian in scope and impact. Like Dickens, Munro managed to overcome poverty, cruelty and emotional deprivation to reach the top of a demanding profession. Remarkably, considering his scarifying experiences as a child and adolescent, he fell in love and married a partner with whom he has created the kind of loving family life that he never knew as a child. But I am jumping ahead.

One hardly knew where to look. There were breasts everywhere. Not dozens of them mind you. Just two. On Mistress Sabine. The left mammary with a disturbing blue vein running over it, seeming to fill half the room on its lonesome. Other bits and pieces of the Mistress bulged alarmingly around the inadequate constraints of her leather fetish outfit, threatening to break free completely as she tied up Linda Jaivin and administered a paddling at the launch of the author’s Confessions of an S&M Virgin.

The celebrated journalist Peter Arnett’s new autobiography Live from the Battlefield partly solves one mystery for me. For the last eighteen months, whenever I discussed Arnett and his forthcoming memoirs with my husband (who was trying to research Arnett’s relationship with news network CNN after the Gulf War), I found myself constantly and inexplicably analysing Thackeray’s Vanity Fair and the characterisation of the ambitious, fragile Becky Sharp.

Collections of a writer’s pieces of journalism are usually not well reviewed. The critic is often a journalist whose pieces have not been collected and there is something about the thought of a colleague’s being paid twice that rankles. If the pieces under review are travelogues and and adventures of an enjoyable kind, then the critical appetite for blood will be doubly whetted. The thought of a colleague’s being paid twice for doing what was enjoyable in the first place will sour the critic’s aspect to the extent that his review will be an example of someone’s being paid once for doing something they didn’t enjoy – an experience that some journalists will have you believe is a universal one. (Of course, when their turn comes and a book of their critical pieces is published they go around the place becoming abashedly like a pregnant ex-nun.)

The blurb is right enough: Sir Keith Murdoch probably was Australia’s greatest newspaperman. Quite unusually for a press tycoon, he had been a very good journalist and a brilliant editor. In his time the Melbourne evening Herald and Sun News-Pictorial were, technically, remarkable innovatory newspapers.

Don Whitington became a journalist seven years before I was born, and moved to Canberra for the first time shortly before the Japanese bombed Pearl Harbor. He died last year, after a tragically bungled series of surgical operations, before he was able to complete his autobiography, Strive to be Fair.

The title is taken from a remark one of the many editors for whom he worked made: ‘There is no such thing as a good objective journalist. If you are not sensitive enough to feel for your subject, to have a point of view, to suffer joy or agony or sympathy about a story you are covering, you will never be a good journalist. Don’t strive to be objective. Strive to be fair.’