Journals

In a 1995 interview for the Paris Review, Ted Hughes was asked if the 1960s boom in translated poetry in the United Kingdom, particularly with series such as the Penguin Modern European Poets, had had an effect on poetry written in English. ‘Has it modified the British tradition!’ he replied. ‘Everything is now completely open, every approach, with infinite possibilities. Obviously the British tradition still exists as a staple of certain historically hard-earned qualities if anybody is still there who knows how to inherit them. Raleigh’s qualities haven’t become irrelevant. When I read Primo Levi’s verse I am reminded of Raleigh. But for young British poets, it’s no longer the only tradition, no longer a tradition closed in on itself and defensive.’

This issue of open access e-journal Transnational Literature offers contributions from a 2009 symposium on migration, held in Adelaide. It is a diverse collection, appropriately so given persistent themes of dislocation, assimilation and multiculturalism. Still, perhaps diversity has its limits: the issue is burdened with Graeme Harper’s keynote symposium address, a ponderous and misplaced commentary on ‘the journey’ creative writers undertake: ‘As might already be realised, post-working can be the pre-working for future Creative Writing, and it can (and often is [sic]) emphasize the fact that creative writers are creative writers because they are actively engaged in one or more of the many acts of Creative Writing.’

As with most issues of HEAT, The Persistent Rabbit is consistently excellent. Still, there are degrees of excellence. Compare the essay by Barry Hill with those by Chris Andrews and Stuart Cooke. Hill’s discussion of Ezra Pound’s Orientalism is proof (which these days we need) that scholarly rigour need not be obscure and, conversely, that accessibility doesn’t equal dumbing down. Plus, Hill writes majestically and, when appropriate, with sardonic wit or bluntness. Andrews and Cooke have both written fascinating, commendable essays, Andrews on the Argentinean novelist César Aira, and Cooke on two Mapuche (indigenous Chilean) poets, Leonel Lienlaf and Paulo Huirimilla. But in contrast to Hill’s essay, their pieces are less alive, less complete, less exhilarating.   In this issue, the fiction resonates more powerfully than the poetry (although the poetry is uniformly solid, the best of it potent and playful). Michelle Moo’s ‘New Gold Mountain’ is a taut satire of colliding voices set in a colonial goldfield, Mireille Juchau offers a beautifully observed story about a girl and her family, and Julia Sutton delivers a sharply funny tale about an artist who is, or isn’t, being threatened by a terrorist. Best of all is Barbara Brooks’s poignant ‘fictional memoir’ about the narrator’s grandfather, a veteran of colonial India lost in his memories. 

The key theme of Overland 198 is upheaval. The contributors explore a range of dramatic changes that have occurred in Australian politics and global culture in recent years. Mungo McCallum contends that asylum seekers have been used as political footballs by both Labor and the Liberals. Raewyn Connell investigates how the left has been affected by what she terms the ‘neoliberal agenda’. Michael Brull responds to a recent debate between ‘dissident Jews’ Dennis Altman and Ned Curthoys. James Ley describes the work of up-and-coming Australian novelists, and there is short fiction by Miriam Sved, Phillip Tang and Tim Richards.

There is something to offend everyone in the latest issue of Meanjin. Several contributors boldly tackle religious questions – always plenty of kindling for the fire there. Jeff Sparrow takes on the so-called ‘New Atheists’, in the process throwing a few Marxist haymakers at Bush, Rudd and ‘the Israeli apartheid state’. The ‘religious undergirding’ of secular thought is considered by the Sydney academic John Potts, who finds that greenies, old-style lefties and post-structuralists are much closer to Messianic Christianity than they might think (along the way, he is snide about vegetarians, too). Elsewhere, Paul Mitchell contrasts the spiritual impulses at work in contemporary Australian fiction, though some of his assumptions are bound to get nonbelievers offside.

It is time to raise our glasses: Australia’s oldest literary magazine is now a sprightly septuagenarian. The latest number of Southerly marks the occasion by encasing itself in what appears to be a reproduction of one of its covers from the middle of the last century, complete with foxing and a pencil notation of its pre-decimal price. This retro jacket should serve as a reminder of the journal’s longevity. It arrived on the scene at a time that was hardly auspicious for any new literary venture – Hitler invaded Poland the same month. Thankfully, Southerly outlasted the Third Reich (and a few other empires, too).

After a decade as an annual, the enduring Western Australian journal, Westerly, will now publish a ‘traditional’ issue midyear and a ‘creative’ issue later in the year. This début ‘creative’ issue includes Indigenous writing and art (mostly the former). Guest editors Sally Morgan and Blaze Kwaymullina have produced a collection that is entertaining, informative and diverse.

As with most literary journals, Heat 21 is a curate’s egg. Notably, Without A Paddle shines when in analytical-critical, essayistic mode. The poetry and fiction are rather more prosaic, with a few exceptions: Ken Bolton in fine form; Michael Hofmann’s beautifully spare poetry. Hofmann’s poem prefaces an extended interview with the poet and German-English translator; his responses are humble, full of sly humour.

Writing about music, it is frequently said, is in a parlous state, with ever-falling word counts contributing to the dumbing down of the genre. A publication such as Extempore, focusing on Australian jazz, should be well placed to step into the breach, but its second issue struggles to assert its importance.

This edition of Griffith Review is one of several local journals to take the ‘global financial crisis’ as its latest theme. A range of writers address this ‘crisis’ and other ‘major recessions’ throughout history. The journal opens with Julianne Schultz’s essay about how the global economy has worsened following the collapse of Lehman Brothers in September 2008. Other contributors investigate the impact of recession upon the media, consumer culture, the banking industry and the workplace. Examples are drawn from Australia, Britain, America, China and Dubai. Reference is made to Gordon Gekko, the anti-hero of Oliver Stone’s film Wall Street (1987). Gekko’s mantra, ‘Greed is good’, has come to define the 1980s, but viewers, as Schultz observes, tend to ignore the battle between ‘local enterprises’ and ‘clever schemers’ that is central to Stone’s movie. Schultz suggests that the schemers appear to have won.