Opera
Der Ring des Nibelungen, presented by Opera Australia three years after its première in Melbourne, was a great success, mostly because of the excellence of the singing ...
... (read more)Episode #10 Peter Rose in conversation with Amber Wagner
Wednesday, 30 November 2016Peter Rose interviews American Soprano Amber Wagner for the ABR Podcast following the first cycle of Richard Wagner's Der Ring des Nibelungen, which is being presented in Melbourne by Opera Australia. Amber Wagner plays the role of Sieglinde in the second opera Die Walküre.
Melbourne's long Indian summer coincided with Opera Australia's 2016 autumn season. It began with a revival of La Bohème and the new production of The Pearlfishers (first seen in Sydney earlier this year). The much-anticipated Luisa Miller with Nicole Car will follow next week ...
... (read more)Cunningly promoted by her recording company, EMI, the Callas myth took off after her death on 16 September 1977 and continues to resonate to this day. Undeterred by Franco Zeffirelli’s excruciating screen homage to the diva, Callas Forever (2002), Callas projects starring Meryl Streep and Noomi Rapace have been announced.
...Michael Halliwell reviews 'The Oxford Handbook of Opera' edited by Helen M. Greenwald
Orpheus – composer and singer of his own song – is regarded as the founding figure of opera. One of the most arresting images of Orpheus is of his death – his dismembered head on his lyre floating down a river, still singing. Opera’s history is dogged by its own death wish; the art form has been pronounced dying, or even dead almost from its inception, yet z ...
‘In my Eden a person who dislikes Bellini has the good manners not to get born,’ wrote W.H. Auden in his poem ‘Vespers’ (1954). Like much of Auden’s table-talk, this may seem rather extreme, but those who attended last Thursday’s concert version of Vincenzo Bellini’s I Puritani may have gone away with similarly exclusive thoughts.
Though ...
Writing to a friend in 1898, Giuseppe Verdi said of Rossini’s The Barber of Seville:
You may say things about Rossini and they may be true regarding the borrowings, the speed of composition and so forth, but I confess that I cannot help believing ‘The Barber of Seville’ for abundance of ideas, for verve and for truth of dec ...
A music teacher in Thomas Mann’s early novel, Buddenbrooks (1900), when presented with some piano arrangements of Tristan und Isolde, recoils in terror: ‘I won’t play this ... This is not music ... It is pure chaos! It is demagoguery, blasphemy, and madness! It is the end of all morality in the arts. I will not pl ...
Passion and politics often go hand in hand – and never more so than in Don Carlos, arguably Verdi’s greatest opera. Based on the historically questionable play by Friedrich von Schiller, it is certainly the composer’s grandest and most ambitious work and the most demanding of his career. Because of church and state inte ...
Our European summer holiday began in Munich – surprisingly cold and drizzly – perfect weather for long sessions in the Alte Pinakothek. This is one of the more forbidding of the great galleries, with its battered façade showing all the evidence of extensive bombing during World War II and a utilitarian rebuilding by Hans Döllg ...