Paul Kildea
Paul Kildea reviews 'The Letters of Cole Porter' edited by Cliff Eisen and Dominic McHugh
Sometime in the early 1970s – his health poor, his country’s no better – the English composer Benjamin Britten asked his good friend and publisher Donald Mitchell to write his biography, imploring him to tell the truth about his long-term relationship with the tenor Peter Pears. In the ten years that followed Britten’s death in 1976, Mitchell amassed thoughts and notes, all the while deflecting the common query among friends and those outside the hallowed circle, ‘How’s the biography going?’
... (read more)Sam Leith, literary editor of Spectator magazine, recently put author Benjamin Moser on the spot. ‘Do you think her work will last?’ he asked, referring to the writings of Susan Sontag, whose biography Moser had not long finished. ‘And if so, which of it?’ Moser dissembled bravely. ‘Well, I hope so ...
... (read more)Paul Kildea reviews 'The Silent Musician: Why Conducting Matters' by Mark Wigglesworth
Of all the tributary footage screened in the days following the death of Bob Hawke, one short sequence jarred. In it, Hawke conducts the Sydney Philharmonia Choirs and orchestra in the ‘Hallelujah Chorus’ from Handel’s Messiah, jerking and twitching in response to ...
... (read more)Paul Kildea reviews Fryderyk Chopin: A life and times by Alan Walker
The author and critic Richard Ellmann died in May 1987, a handful of months before the publication of his biography of Oscar Wilde. Twenty years in the making, the book instantly established a benchmark in literary biography. Psychologically astute and critically nuanced, Oscar Wilde invites ...
... (read more)Paul Kildea reviews 'Debussy: A painter in sound' by Stephen Walsh
‘Chopin is the greatest of them all,’ Claude Debussy told his pupil Marguerite Long, ‘for through the piano alone he discovered everything.’ This ‘everything’ had a long shadow, for Long described Debussy as ‘impregnated, almost inhabited, by [Chopin’s] pianism’. Unsurprisingly, therefore, the young Debussy ...
... (read more)John Allison reviews 'Chopin’s Piano: A journey through Romanticism' by Paul Kildea
Some things are easier to lose than others, but how does a piano come to be mislaid? When that piano has been lugged up and down an island mountain, made one – perhaps two – sea crossings, and been looted by the Nazis, there could be any number of causes for its disappearance ...
... (read more)Paul Kildea reviews 'The Novel of the Century: The extraordinary adventure of Les Misérables' by David Bellos
Visiting the actor Simon Gleeson in 2014 a few months after he was cast as Jean Valjean in a new production of Les Misérables, I was startled by the bulked-up friend who met me from the train ...
... (read more)To highlight Australian Book Review’s arts coverage and to celebrate some of the year’s memorable concerts, operas, films, ballets, plays, and art exhibitions, we invited a group of critics and arts professionals to nominate some favourites.
... (read more)Paul Kildea reviews 'Beethoven for a Later Age: The journey of a string quartet' by Edward Dusinberre
There is a moment early in the 'Heiliger Dankgesang' movement of Beethoven's Quartet Op. 132 when, without ceremony, an alien, courtly trio is plonked down ...
... (read more)It would be a pity if this well-researched and nuanced biography of the greatest English composer of the second half of the twentieth century became known for the rather sensational medical revelations contained in the last chapter. Certainly, they gave me pause before I began reading the book.
... (read more)