Review
A good travel book is usually more than the mere chronicle of a journey, and a journey is often, but not always, a metaphor for something else altogether. Meanwhile, the act of departure can be read as an affirmation of life, an act of faith or, as is the case with James O’Loghlin, one of utter desperation.
... (read more)The foreign correspondent Eric Campbell is lucky to be alive. In March 2003 he was filming in Kurdistan, Northern Iraq, with Paul Moran, a freelance cameraman whom he had just met, when a car bomb exploded in front of him. Moran was killed instantly, his body shielding Campbell from the worst of the blast. Both Moran and Campbell were new fathers. Although vastly experienced in covering conflicts, both men had decided at the start of the Iraq war that they would stay at the tail of the media pack when entering dangerous areas. They wanted to see their children grow up; Moran’s daughter was only six weeks old.
... (read more)Rick Hosking reviews ‘The Writing Experiment: Strategies for innovative creative writing’ by Hazel Smith
While it is not immediately apparent from the back cover of Hazel Smith’s The Writing Experiment: Strategies for Innovative Creative Writing, the preface and introduction both make it clear that this book is intended as a textbook for tertiary students at both undergraduate and postgraduate levels. Smith’s book is based on experiences gained over more than a decade as a teacher of writing at the Universities of New South Wales and Canberra; such experience enlivens this book, making it the best creative writing book I’ve seen thus far aimed at the Australian university setting. In many English departments, postgraduate creative writing numbers now exceed those undertaking more traditional research degrees. Even at the undergraduate level, some creative writing electives attract more students than is the case with literature courses, so, on the surface at least, there is a real market for such books as The Writing Experiment.
... (read more)Robert Manne reviews ‘Washout: On the academic response to the fabrication of Aboriginal history’ by John Dawson
In 2003, I edited a book called Whitewash, a critique of Keith Windschuttle’s revisionist account of the destruction of the Tasmanian Aborigines, The Fabrication of Aboriginal History (2002). Even before Whitewash was published, Windschuttle told a journalist at The Australian, D.D. McNicoll, that he was preparing a book-length reply. Nothing came of this promise. Rather than answer his critics directly, what Windschuttle seems eventually to have decided to do was to finance, through the Press he owns, Macleay, the publication of John Dawson’s Washout. By its publication, Windschuttle hopes, presumably, to have saved face.
... (read more)These days, children’s non-fiction is not as stuffy as it once was. Instead of the encyclopaedic and often boring lists of facts that used to constitute the genre, authors are now encouraged to use fictional techniques in style and voice to produce a collage of ideas; and designers are required to present them as interactively as possible. These three very different books share some of these characteristics.
... (read more)Friendship is an integral part of the human condition. As the picture books reviewed here show, it can take many forms: an inanimate object; something you magically concoct; someone you meet in a shelter for the homeless; the firefighters who save your house; or even a well-loved poem. However, which, if any, of these books will become a child’s lifelong friend will depend not only on the needs and tastes of the individual child but also on how effectively the illustrator and author have combined their talents to present an engaging and meaningful narrative.
... (read more)Robert Reynolds reviews ‘Who Says I Can’t? A Memoir’ by Catherine DeVrye
With the recent Tony Abbott paternity saga unfolding in spectacular fashion, adoption is back in the news. Not that it ever really went away. Adoption was such a common practice in postwar Australia that there is a ready-made constituency for reunion stories. Many birth parents, especially birth mothers, hunger for details of successful reunions. Adoptees search out familiar patterns in the biographies of other relinquished adults. But more than that, there is something primal about separation, loss and reunion that attracts a wider audience to adoption narratives. It is not simply that almost everyone over thirty knows someone who was adopted. There is something about postwar adoption experiences that sharpens our sense of human relationships as both fragile and resilient.
... (read more)Sarah Thomas reviews ‘Degenerates and Perverts: The 1939 herald exhibition of French and British contemporary art’ by Eileen Chanin and Steven Miller (with Judith Pugh)
In the 1930s the notorious art critic and gallery director J.S. MacDonald felt it was his patriotic duty to protect Australia from the morally suspect culture of Europe, where, he exclaimed, ‘the pictorial symptoms of the degeneracy of France [is] enfeebled by the rule of functionaries, and … Mittel Europe [is] crushed and torn between Nazi, Bolshevist and Fascist megalomaniacs’. Not a man to mince words, MacDonald also expressed his horror of what was arguably Australia’s first blockbuster exhibition, the 1939 Herald Exhibition of French and British Contemporary Art, suggesting that it was the work of ‘degenerates and perverts’. As the then Director of the National Gallery of Victoria, MacDonald was a man of influence, and his outspoken views were transmitted widely.
... (read more)Shahram Akbarzadeh reviews ‘The Tragedy of the Middle East’ by Barry Rubin
Why is the Middle East anti-American? That is the core question in Barry Rubin’s flowing account of contemporary politics in that turbulent region of the world. As the director of Global Research in International Affairs in Israel, with a long history of research and publication on the Middle East and US foreign policy towards the region, Rubin is confident of his assessment. He is a prolific writer with some forty books to his name. The present one, The Tragedy of the Middle East, appears to comprise reflections based partly on the collection of media-excerpts and publications by Islamic groups in the wake of the September 11 attacks, published separately as an edited volume, Anti-American Terrorism and the Middle East (2002), although there is no acknowledgment in this book of such a link. The theme of anti-Americanism has also provided the material for a more recent book by Rubin titled Hating America: A History (2004).
... (read more)This book contains two discrete memoirs: the first by Clifford Norman Button, a Presbyterian minister; the second by his daughter, Muriel Mathers. Despite immense social changes in the period they cover (1888 to the present), there are many similarities between the two personalities and their work in the world.
Dr Button, the first memoirist, was obviously a driven character. His manuscript, entitled The Unknown Londoner, was completed just before his death in 1950 and remained in his daughter’s possession until she included it here, edited and abridged, under the title ‘Murmurings’. As well as a chronological account of his life, ‘Murmurings’ includes enough of Button’s reflections on his interests and beliefs to, in her words, ‘round out the man’.
... (read more)