Review
Brian McFarlane reviews ‘Phillip Noyce: Backroads to Hollywood’ by Ingo Petzke
To start at the beginning (that is, the dust jacket): giving the author’s name as Ingo Petzke is a misnomer. It suggests that he has written a biography of the Australian film-maker Phillip Noyce, when in fact this is neither biography nor autobiography. This indecision about its mode undermines its value. I’ll return to this.
... (read more)Colin Nettelbeck reviews ‘The American Enemy: The history of French anti-Americanism’ by Philippe Roger
As an eyewitness to the terrorist attack on the World Trade Centre in September 2001, Philippe Roger was sickened when the America-hating Jean Baudrillard announced his ‘prodigious jubilation’ at the event. Sickened, but not surprised. Roger understood that Baudrillard’s crassness was rooted in a long French tradition of anti-American discourse.
... (read more)David Gilbey reviews ‘Walking To Point Clear: Poems 1983–2002’ by David Brooks
At first, many of these forty-eight poems from two decades struck me as almost self-indulgent and mundane: short lyrics about family life, eating, drinking, dreaming of Valparaiso, lemons, the Molonglo River; though there was often an underside of premonition, discontent, and a stillness that made me think I hadn’t really understood. In the first group, ‘One Hundred Nights’ bothered me: ‘When will it end / this waking / while others sleep, / this herding out on the ghost fields? / the flesh / whispering / its impossible desires / the bones / murmuring their Kali mantra / love, emptiness / love, emptiness.’ However, on my next reading, some of the second group struck me with autumnal clarity. From ‘Brown Pigeon’: ‘eyes / plucked out, feathers / scattered, / maggots / when I turn it over / writhing in the black mess near the heart’, where the image of the dead bird is an iconic memento mori.
... (read more)James Walter reviews ‘Terms of Trust: Arguments over ethics in Australian government’ by John Uhr
There are two approaches to public affairs. The first assumes that élites ‘have and have always had the same passions’ (Machiavelli): leaders will do whatever it takes to retain power and to attain their objectives, tempered only by knowing that the popular verdict will depend on success. Success is judged by results: resort to devious or ruthless means will be excused if the people see beneficial outcomes. You can expect leaders to be driven by ambition and self-interest, but trust them to do enough to forestall a popular uprising that might bring them down. Machiavelli was not writing about democracy.
... (read more)In Dudley McCarthy’s volume in the Australian official history of World War II, subtitled Kokoda to Wau (1959), there is a wonderfully evocative passage that sets the fighting in Papua New Guinea in context:
... (read more)Mark Peel reviews ‘Dirt Cheap: Life at the wrong end of the job market’ by Elisabeth Wynhausen
In this important book, Elisabeth Wynhausen seeks to ‘animate the experience of a class of people who had remained invisible even as their numbers swelled’. That class is the ‘working poor’, the people who clean, cook, wait tables and deal with everyone else’s garbage. They are the so-called ‘losers’ from economic change: the men and especially the women who do the jobs the winners don’t want to do any more, like clean their own toilets.
... (read more)‘Reading provides a temporary stay from hate and anger. From pain,’ proposes Celeste Walters’s teenage protagonist, Josh Sim. Yet, as a novel, Deception is far from escapist literature. Despite being set in an imaginary city, this is not the material of fantasy: Walters’s work reveals the world as a gritty, desolate and unjustly cruel place.
... (read more)Shirley Walker reviews ‘The Italian Romance: A Novel’ by Joanne Carroll
Readers of Joanne Carroll’s first publication, the novellas In the Quietness of My Aunt’s House and Bad Blood (1996), will not be disappointed with The Italian Romance; it is a novel of great style. There is none of the slick optimism that we associate with popular romance; instead, it deals with the most important human issues and, at times, approaches tragedy rather than romance. True love, it seems, is an irresistible but punishing force. The lovers Lilian and Nio have no regrets, and never consider their decision to have been the wrong one, but Lilian, in particular, will pay for it for the rest of her life.
... (read more)Tamas Pataki reviews ‘Killing Me Softly’ by Philip Nitschke and Fiona Stewart
‘While some inventors concern themselves with creating the ultimate mousetrap,’ Philip Nitschke explains, ‘my aims are more modest. At the heart of all my efforts is a desire to fulfil the needs of Exit members.’
The members of Exit International – an organisation that has attracted 3000 members since its foundation by Nitschke in 1997, and that is now co-directed by Fiona Stewart – are mostly older and seriously ill people who ‘want a choice about when and how they die’. According to the argument of this book, the satisfaction of their needs requires easily accessible technology that will enable them to die at will, with dignity, painlessly and swiftly. ‘Dying with dignity is a growth industry,’ the authors declare. Exit hopes ‘to meet the needs of the baby boomer generation … [T]he most important of Exit’s current work is our research and development program. Focused upon a range of smart and simple technologies, this program offers some real and practical end-of-life choices for the future.’
... (read more)Christina Hill reviews ‘Kilroy Was Here’ by Kris Olsson and ‘Desperate Hearts’ by Katherine Summers
Katherine Summers’ memoir of her childhood and Kris Olsson’s biography of Debbie Kilroy have in common histories of violence and abuse against women and children. Summers writes of her early childhood of desperate poverty in London’s East End in the 1960s and of her subsequent time in private boarding schools in a way that emphasises the powerlessness of the child in an inscrutable adult world. In contrast, Olsson traces Debbie Kilroy’s journey from an angry and rebellious adolescence in Brisbane in the 1970s to becoming a battered wife and mother who was imprisoned in the infamous Boggo Road prison after being convicted of illegal drug trafficking. From these beginnings, Olsson recounts the process by which Kilroy becomes a powerful activist and leader on behalf of imprisoned women and troubled teenagers.
... (read more)