Russia

Russia’s full-throttle invasion of Ukraine is so shocking because it is such a brazen assault on the post-1945 world order. Reminiscent of the age of empire, this is no border skirmish but an attempt to extinguish and cannibalise an independent neighbouring country.

‘We are drawn to this China, even though we still do not know China,’ wrote Soviet avant-garde writer and theorist Sergei Tretyakov in 1925. ‘But we must get to know China, we must get to know it well, and we must get to know it quickly.’ Tretyakov’s call was underpinned by a real sense of political urgency: the failure of socialist revolutions across Europe had prompted a Soviet pivot toward Asia, and China had emerged as a potential partner for fostering ‘an international community of enemies of capital’. Yet despite being geographically adjacent, Russia and China had long perceived each other as unfamiliar and distant. In an effort to bridge this divide, a comprehensive cultural campaign was devised to draw China closer to the Soviet public.

The books we read and collect can provide telling insight into our lives. Indeed, bookshelves often draw the immediate attention of our guests, who seek to discern clues about us from the titles that we have accumulated. With Stalin’s Library: A dictator and his books, Geoffrey Roberts takes on the role of a curious visitor perusing the impressive library of Joseph Stalin (1878–1953), who, as head of the Soviet Union, amassed a collection of some 25,000 items. Conceptualised as a biography and intellectual portrait, Stalin’s Library joins a crowded field of works aimed at cracking the Stalin enigma. Setting this latest biography apart is its focus on Stalin’s personal library as a basis for constructing a ‘picture of the reading life of the twentieth century’s most self-consciously intellectual dictator’.

While there are several biographies of Ivan Turgenev, and one or two specialised studies of his works available in English, there is only one comprehensive attempt at interpretation and criticism –Richard Freeborn’s Turgenev: The novelist’s novelist. The A.N.U. Press’s publication of Robert Dessaix’s doctoral dissertation is a valuable addition to a scanty field, especially as there is very little overlap between the two critical works. This is all the more surprising when one realizes that both are more heavily weighted in the pan of philosophical exegesis than in that of strictly defined literary criticism. Freeborn’s book contains a chapter on style, which Dessaix’s does not, but both authors are mainly concerned to study the major novels in the light of differing but related perceptions of Turgenev’s spiritual development.

When I was a graduate student in the Soviet Union in the late 1960s, Russian friends used to talk a lot about World War II. Their stories were of hardship and suffering stoically borne by the population and finally vindicated by victory in 1945. This was not dissimilar from what was published in the Soviet press on the subject, but without the press’s obligatory references to the wise leadership of the party. Wendy Z. Goldman and Donald Filtzer tell basically the same story as my Soviet friends. Invoking the image of a ‘levée en masse spirit’ in the wartime Soviet Union, they admit that ‘strict discipline and repression certainly played a role’ in the state’s ‘unprecedented feats of mass mobilization’, but they put their interpretative emphasis elsewhere: ‘without the support of the vast majority of people and workers in particular, the great achievements on the home front would not have been possible’.

The invasion of the Soviet Union by Nazi Germany in 1941 caused massive destruction over a huge area. The number of deaths is uncertain, though a figure of around twenty-seven million is now widely accepted. The lives of many more millions were affected – as soldiers, as workers in war-related industries, as civilians in besieged and occupied territories, as refugees – and the experience of hardship and self-sacrifice in what is widely referred to in Russia as the ‘Great Patriotic War’ or the ‘Great Fatherland War’ continues to dominate the Russian historical narrative.

Ivan Vasilevich Ovchinnikov defected to the Soviet Union in 1958. After three years in West Germany, he had had enough of the West with its hollow promises. He was a farmer’s son, and his family’s property had been confiscated and the family deported as ‘kulaks’ during Stalin’s assault on the Russian village in the early 1930s. Ovchinnikov managed to escape the often deadly exile, obscured his family background, and made a respectable career. Brought up in a children’s home, then trained in a youth army school, the talented youngster eventually entered the élite Military Institute for Foreign Languages in Moscow. In 1955, now an officer and a translator, he was sent to East Berlin as part of the army’s intelligence unit.

Letters to the Editor: Tony Kevin from Gordon writes on Jeff Sparrow's Trigger Warnings; John Lowe from Ormond on D. H. Lawrence; and some comments on Behrouz Boochani and his poem 'Flight from Manus' ...

On its first appearance in Russia, Dostoevsky’s novel 'Crime and Punishment' was the hit of the season. It was serialised throughout 1866 in the journal 'The Russian Messenger'. Nikolai Strakhov, Dostoevsky’s first biographer, described the novel’s effect on the reading public as spectacular: ‘[A]ll that lovers of reading talked ...