Television

Netflicks is the first book in UWAP’s ‘Vignettes’ series. The series’ brief is to introduce readers to contemporary scholarly thinking about pressing issues of modern life in the format of short, lucid books. Judging from the first iteration, ‘Vignettes’ promises to offer complex and coherent readings of the world we live in now, informed by deep knowledge but wearing its learning lightly. Netflicks is written in accessible prose that invites the reader into the scholarly analysis of television, should they be new to it, with clear and uncomplicated language. When technical concepts are introduced, the author makes sure to provide a definition and to justify his deployment of what might seem to be jargon.

The federal government’s proposal for a multicultural television network has sparked off once more a row about the nature of the Australian national identity.

The opponents of the network seem to fear that it will cause all kinds of divisions in our community by emphasising the different places and cultures to which we owe our origins. They would like to restore the myth of a single nation, bounded and defended by a single shoreline (plus, of course, Tasmania), giving allegiance to a single flag and monarch and united by a single tongue. The myth is glorious in its simplicity, and marred only by the fact that it corresponds to no historical truth.

‘It is necessary in each situation,’ Jacques Derrida stated in 2007, in one of many instances of writing on writing, ‘to create an appropriate mode of exposition … to take into account the presumed or desired addressee.’ This was the phenomenon I sought while reading Susan Lever’s book on screenwriting for Australian television drama.

Perched on the precipice of the Blue Mountains, Leura is both quiet and wild, a place of misty romance, sylvan charm, and middle-class entitlement. I am here because some friends have offered me their house as a writing retreat for ten days so that I can pen a chapter on the history of marriage (1788 to marriage equality) for ...

Since I wrote about the golden age of television for ABR’s first film and television issue in 2015, the medium has evolved. Streaming has roared to prominence, with online services like Netflix disrupting television’s form and market as dramatically as cable did to broadcast television in the early 2000s ...