Vincent van Gogh

Vincent van Gogh called homes ‘human nests’, and in Auvers-sur-Oise it was a nest he was after, to regain his poise through work and rest. Loving Vincent, a Polish–English co-production, spends most of its time in Auvers, where Vincent died an arduous death in 1890, but begins in Arles, where Vincent made friends such ...

This year is proving a good one for Symbolism. An international conference entitled ‘Redefining European Symbolism’ was held at the Musée d’Orsay in April, followed shortly afterwards by four days on ‘The Symbolist Movement: Its Origins and Consequences’ at the University of Illinois, in Springfield. A third conference is planned for October at the Scottish National Gallery in Edinburgh to coincide with the exhibition Van Gogh to Kandinsky: Symbolist Landscape in Europe 1880–1910 (14 July–14 October); shown first at the Van Gogh Museum in Amsterdam as Dreams of  Nature: Symbolism from Van Gogh to Kandinsky and concluding at the Ateneum Museum, Helsinki. Meanwhile, Australian Symbolism: The Art of Dreams has recently finished at the Art Gallery of New South Wales.