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Des Cowley
Des Cowley is former Principal Librarian at State Library Victoria, and author of The World of the Book, published by Melbourne University Press in 2007. He regularly publishes on music for Australian Book Review, Rhythms, Dingo, and other journals.
Travelling Tales is the third instalment in a series of five concerts, entitled ‘The Usefulness of Art’, by multi-instrumentalist Adam Simmons, all taking place at fortyfivedownstairs. The first, Concerto for Piano and Toy Band, was performed in March this year, and the second, The Usefulness of Art, in August. The final two instalments are scheduled for May and July 2018.
Travelling Tales wa ... (read more)
In 2002, journalist Guy Rundle published a piece devoted to the little-known visit by Argentinian writer Jorge Luis Borges to Melbourne in May 1938. During his ten-day stay, Borges spent time in the domed reading room of the State Library, a place he found ‘awe-inspiring, even overwhelming’. As a long-term reader of Borges, and having spent much of my working life at the Library, I felt elated ... (read more)
It was always going to be a risky decision. Earlier this year, the Board of the Wangaratta Festival dispensed with the services of Adrian Jackson, the artistic director who shaped the style and content of the Festival since its inception in 1990. In recent years, a combination of reduced funding and unfortunate weather conditions led to a drop in visitor numbers, and there was clearly a sense that ... (read more)
It seemed apt that Adam Simmons chose to perform his large-scale suite The Usefulness of Art in a space generally devoted to art and theatre, rather than in one of Melbourne’s jazz clubs. Incorporating visual design by Christine Crawshaw and Diokno Pasilan – wooden chairs hung from the ceiling amidst billowing clouds, recalling both a Duchamp readymade and a Magritte still life – the concert ... (read more)
Marking its twentieth anniversary, the Melbourne International Jazz Festival (MIJF) had much to celebrate in 2017. I can vividly recall the first Festival in 1998, a weekend-long event attended by what seemed like a handful of us, moving in unison between city venues. Even then, it proved a memorable experience, highlighted by three astonishing performances by Brad Mehldau, an up-and-coming pianis ... (read more)
That Monash University has become a national leader in jazz studies is far from surprising when we consider the calibre of its teaching staff: pianist and composer Paul Grabowsky, saxophonist Rob Burke, trumpeter Paul Williamson, and trombonist Jordon Murray, among others. Students have had the opportunity to perform and record with visiting international artists such as Dave Douglas, Enrico Rava, ... (read more)
Ahead of this year’s Wangaratta Festival of Jazz and Blues, Artistic Director Adrian Jackson acknowledged that while he had not intended to develop any specific theme for this year’s program, one had unwittingly emerged: the significant contribution of female musicians to jazz in this country. Thankfully, this was anything but a rallying cry for affirmative action: the composers and instrument ... (read more)
It is a testament to Ralph J. Gleason’s standing in the jazz community, at the time these interviews were made, that a composer of the stature of Duke Ellington would consider him a conversational equal. Says Ellington: ‘I feel like I’m on the same level with you because you have proven that you are a great listener.’ While far from a household name these days, Gleason’s contributions to ... (read more)
In his introduction to the opening night concert of the Melbourne International Jazz Festival (MIJF), Michael Tortoni, the artistic director, noted that some 43,000 patrons were expected to attend over 120 concerts during this year's program. That is a lot of devotees to a musical form often marginalised, or perceived as difficult. Certainly, it is a sure sign of endorsement not just for contempor ... (read more)