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Iva Glisic
Iva Glisic is a Visiting Research Fellow at the Australian National University, and an Honorary Research Fellow at the University of Western Australia. She is a member of the editorial board of ARTMargins Online, and host of the Eastern European Studies Channel within the New Books Network podcast series. Trained as an art historian and historian specialising in modern Russia and the Balkans, Iva’s work explores the evolution of radical ideas throughout the twentieth century, with particular emphasis on the relationship between avant-garde art and politics. She is the author of The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905-1930 (Northern Illinois University Press, 2018).
In July 1986, at the onset of the Glasnost era, a program featuring a discussion between American and Soviet women on a range of contemporary issues was broadcast on Soviet television. Reflecting on the prevalence of sex in US popular culture, an American participant asked her Soviet collocutors whether this was also the case in their country. The response was curt: ‘There is no sex in the USSR. ... (read more)
The 59th Venice Art Biennale is an invitation to imagine. After the pandemic caused the event to be postponed for just the third time in its 127-year history (the other two instances being the two world wars), there was hope at the beginning of the year that this would be ‘the Biennale of rebirth’, marking a return to some kind of normal. Amid widespread global crisis, this could easily be dis ... (read more)
‘We are drawn to this China, even though we still do not know China,’ wrote Soviet avant-garde writer and theorist Sergei Tretyakov in 1925. ‘But we must get to know China, we must get to know it well, and we must get to know it quickly.’ Tretyakov’s call was underpinned by a real sense of political urgency: the failure of socialist revolutions across Europe had prompted a Soviet pivot t ... (read more)
The books we read and collect can provide telling insight into our lives. Indeed, bookshelves often draw the immediate attention of our guests, who seek to discern clues about us from the titles that we have accumulated. With Stalin’s Library: A dictator and his books, Geoffrey Roberts takes on the role of a curious visitor perusing the impressive library of Joseph Stalin (1878–1953), who, as ... (read more)
The realisation that our parents are not exactly who we understood them to be can be a profound rite of passage. For some it comes with no forewarning: a random event leads to an accidental disclosure, or substantiates an old rumour. For others this realisation takes shape in a less acute though no less transformative manner. With The Other Side of Absence: Discovering my father’s secrets, Betty ... (read more)
South-eastern Europe is a region defined by ambiguity: with few clear geographic boundaries or consensus over its correct appellation, it is a palimpsest bearing the marks of Balkan, Roman, Byzantine, Venetian, Ottoman, and central European cultures. As the identities of the region’s inhabitants have shifted across the centuries, their position within the European imagination has never quite set ... (read more)
The final week of February in Australia means, among other things, that another summer is almost over. Yet in contrast to the fleeting nature of lived experience, a new exhibition at the Art Gallery of Western Australia calls attention to the enduring power of art to capture and convey human passions, fears, and values. A Window on Italy – The Corsini Collection: Masterpieces from Florence is a ... (read more)
Donald Trump’s rise to the presidency has redefined many features of US politics, not the least of which has been the nation’s relationship with its former Cold War nemesis. ‘Wouldn’t it be nice,’ Trump asked while campaigning, ‘if we actually got along with Russia?’ This call for stronger Russian–American relations should have been unremarkable, particularly as it echoed a desi ... (read more)