Australian Poetry

In her introduction to Australian Love Poems (2013), Donna Ward wrote that poems 'are the prayers of a secular world'. Now, aided by editors Jordie Albiston and Kevin Brophy, she brings us a collection that tests this notion. The introduction by David Tacey states its case fervently, with, in this case, a bit too much determination that 'the sacred is inera ...

Australian poetry has always been influenced by international literary trends, especially avant-garde or experimental ones, from the French Symbolists to US 'Language Writing' from around 1970 to the present. A curious aspect of this has been a kind of hybrid poet who can straddle both 'experimental' and 'romantic' traditions. Given the increased popularity of exper ...

'Happiness' may seem like an odd word for the title of a book of poetry, and given the circumstances of Martin Harrison's final years – his illness, the tragic death of his younger Tunisian lover, Nizar Bouheni – the title is rather ironic, but the poems in this posthumous volume are rich, bountiful, full of the same 'worshipful attention', the same sense of ope ...

Halfway through her first full-length collection, Babel Fish, Jillian Pattinson quotes Borges's famous argument: 'Myth is at the beginning of literature, and also at its end.' Her whole book does its best to embody this idea.

As its title 'Waterline' implies, the first group of poems here is loosely unified by water references, from the semi-scienti ...

Kevin Hart was born in London in 1954, grew up in Brisbane, and worked in Melbourne before moving to the United States, where he still teaches (currently at the University of Virginia). Although he has won extravagant praise from Americans such as Charles Simić and Harold Bloom, he remains, to Australian readers, ...

Clive James’s series of memoirs began in 1980 with the Unreliable one. Thirty-five years and four more very funny books later, the Five Lives of Clive have been rounded with a sixth: a slim volume of poems. It is probably also the most reliable, as if, paradoxically, James took more poetic licence when working in prose. The prevailing tone is a long way fro ...