Andrew Taylor’s latest book reprises themes common to many of his earlier poetry collections – movement between the antipodes and Europe; the natural landscape; affinities with music – but also, as the title suggests, themes of haunting and unhaunting, visitation and absence. Taylor was ill with cancer in 2003, and his confrontation with death has strongly informed The Unhaunting. The book i ... (read more)
Anthony Lynch
![Anthony Lynch](/media/k2/users/22874.jpg)
Anthony Lynch lives on the Bellarine Peninsula, Victoria, where he writes poetry, fiction, and reviews. His work has appeared in The Age, The Best Australian Poems, Island, and Southerly. His short story collection Redfin (2007) was shortlisted for the Queensland Premier’s Literary Awards. His poetry collection Night Train was published in late 2011 by Clouds of Magellan. He is publisher at the independent publishing house Whitmore Press and an editor at Deakin University.
A poet friend, getting wind that I was reviewing the two latest ‘Bests’ and wishing to satirise the reviewing platitudes that sometimes greet the arrival of such anthologies, offered the following advice: ‘Remember to say that both collections are a welcome addition to the literary landscape and that both editors have included some welcome new voices in Australian poetry.’ Peter Rose ... (read more)
The Australian photographer Frank Hurley, who accompanied Antarctic expeditions led by Douglas Mawson and Ernest Shackleton, proved to be an able diarist as well as a skilful and adventurous photographer. While Hurley participated in a number of expeditions – as well as serving as an official war photographer in both world wars – the late and much missed poet Jordie Albiston has drawn on Hurle ... (read more)
In the introduction to this latest Best Australian Stories, Delia Falconer – in her second and, she advises, last year as editor – contends that the short story has greater affinities with the poem and the essay than with the novel. She rightly identifies the story as often ‘misunderstood in the public imagination as a kind of less demanding novel-in-miniature’. Stories, Falconer argues, a ... (read more)
The latest Antipodes opens with Katherine Bode’s provocative discussion of Roger McDonald’s The Ballad of Desmond Kale. Dissecting McDonald’s ‘fantasy of an all-white, all-male Australian society’, Bode’s essay also criticises Inga Clendinnen for exempting McDonald’s novel from her much-aired arguments against historical fiction. Bernadette Brennan draws on Maurice Blanchot to explor ... (read more)
In the wake of other recent compelling débuts – Paige Clark’s meticulously crafted and imagined She is Haunted being a standout – three new short story collections, varying markedly in tone, style, and setting, offer bold and unsettling visions of twenty-first-century life.
The Teeth of a Slow Machine by Andrew Roff Wakefield Press, $29.95 pb, 207 pp
Andrew Roff’s The Teeth of a Slow Ma ... (read more)
‘And what is wrong with sad stories? The world is always sad.’ So advises Little Red, the aged, marginalised, knowing female character in the title story of Tony Birch’s latest short fiction collection. As in Birch’s previous works, Dark as Last Night contains an abundance of sad stories, but with grief and trauma ameliorated by the main protagonist’s affection for at least one other cha ... (read more)
Peter Skrzynecki’s substantial Old/New World comprises selected work from his eight previous collections plus a new collection. From it we could extract his autobiography. We find the youthful son of Polish migrants; his growing awareness of his migrant ‘otherness’; his employment as a teacher in New England; the birth of his first child; the ageing and death of his parents; his passage thro ... (read more)
When as a boy I listened to football on the radio, I would often hear mention of David Harris, a skilful midfielder who played for Geelong and Geelong West respectively in what were then the VFL and VFA. Harris was mostly known as ‘Darky’, not ‘David’. Recently, thanks to a YouTube interview, I learnt that Harris’s parents were Lebanese Australians. While in the interview Harris did not ... (read more)
Dominique Hecq and Brian Edwards are well versed in the contingencies of language, roaming in their poetry between experimentation and high tradition – at least in terms of content, if not so much in form. Both target the self-reflexive play of language early in their latest collections: Hecq in her title poem, with ‘words spreading / like couchgrass after summer rains / on my tongue’; Edwar ... (read more)