Addiction is the third wheel in many a stage relationship. Plays such as Eugene O’Neill’s Long Day’s Journey Into Night (1956), J.P. Miller’s Days of Wine and Roses (1958), and Edward Albee’s Who’s Afraid of Virginia Woolf? (1962) examine the ways in which addiction – whether to alcohol, morphine, or even love – offers a heady sense of ‘something’ where once there seemed to be ... (read more)