Audra McDonald sings Broadway (Sydney Symphony Orchestra)
In 2012 Stephen Sondheim reacted rather unexpectedly to a new production entitled 'The Gershwins' Porgy and Bess'. The original show, which itself has undergone multiple transformations since its première in 1935, was somewhat rewritten, incorporating new scenes, additional dialogue, revised orchestrations, the insertion of new biographical details, as well as the creation of a more 'upbeat' ending.* Sondheim shot off an acerbic letter to The New York Times, commenting on the new title: 'I assume that's in case anyone was worried it was the Rodgers and Hart Porgy and Bess that was coming to town' – a veiled reference to his unhappiness regarding the downplaying of the role of DuBose Heyward, the novelist and playwright on whose adaptation the original version was based, and who co-wrote the libretto with Ira Gershwin.
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