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Three Little Words (Melbourne Theatre Company) ★★

by
ABR Arts 24 April 2017

Three Little Words (Melbourne Theatre Company) ★★

by
ABR Arts 24 April 2017

There is something more than a little ersatz about Three Little Words, the latest play by Joanna Murray-Smith. It has all the usual parts, but it doesn’t feel like a real play.

It opens – you’ll never guess – in a suburban living room. Tess and Curtis (Catherine McClements and Peter Houghton), a convivial middle-aged couple, are celebrating their twentieth wedding anniversary. To celebrate this auspicious landmark, they’ve decided to get a divorce. Tess, it seems, has had enough. She still loves Curtis, but she finds him a bit of a bore. She wants more from life. More of what exactly she does not know. It’s just a feeling, a ‘yearning’. Curtis is quietly heartbroken but goes along with the plan because – well, why not? He is sensitive to a fault and determined to support his wife in everything. Even their teenage daughter (never seen) is cool with it.

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Comments (2)

  • Potemkin as in a Potemkin village: a village where the houses look plausible from the front but have nothing behind them, like the houses of an exterior film set. Three Little Words hasn't got any dramatic substance behind it. It's not a real play; it's just a plausible-seeming opening scene followed by an hour of increasingly bitter recriminations. It's like the MTC decided to stage "House of Cards" by Henry Boot, the play-within-a-play in Stoppard's The Real Thing. It just feels fake.
    Posted by Andrew Fuhrmann
    30 April 2017
  • Could you explain your comment "It is like a Potemkin play"? I don't understand the reference. I asked my work colleague who is a theatregoer and saw this production. He also doesn't understand the reference. Thank you.
    Posted by Hillard Elkins
    27 April 2017

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