The twelve-month period which began in February 1982 saw an unprecedented growth of interest in Aboriginal drama in English, both within Australia and overseas. In that month, Jack Davis’s second play, The Dreamers, made its début in the annual Festival of Perth and was generally well received by the critics. Five months later, Robert Merritt’s 1975 play The Cake Man was revived briefly in Sydney, in preparation for its two-week season as an Australian representative at the World Theatre Festival in Denver, Colorado. So popular was it that tickets for the entire season were sold out in advance of the first performance, thereby breaking all box-office records for the festival.