Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Rolling Column

by
February–March 1991, no. 128

Rolling Column

by
February–March 1991, no. 128

Rudyard Kipling could not understand why his cheque account was so much in credit. The answer was that the tradespeople in his village were selling his signature to autograph collectors for more than they would have received by presenting Kipling’s cheques to the bank.

Marcel Duchamp sent a cheque, drawn on an imaginary bank, to his dentist who did not accept that a work of art by Duchamp would bring far more cash than the account demanded.

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.