Margaret Preston

There is something immensely satisfying about a work so ambitious and comprehensive as Deborah Edwards’s Margaret Preston, published by the Art Gallery of New South Wales to accompany its current retrospective on this pre-eminent Australian modernist. From the outset, we are introduced to Preston’s perennial capacity to stimulate not only debate but also downright factionalism. The introductory chapter takes the form of multiple quotes, leaving no doubt that Preston continues to ignite debate over issues surrounding an authentic Australian vision.

One of Australia’s most significant Modernist artists, Margaret Preston (1875–1963) is often remembered for her relentless self-promotion and her forthright opinions: in particular, for her call to develop an art for Australia, untainted by past and irrelevant foreign art. Although frequently quoted (the wonderfully titled autobiographical article ‘From Eggs to Electrolux’ being one of her best-known pieces), her writings have not previously been gathered together. Selected and introduced by Elizabeth Butel, who has written before on Preston, this book presents twenty-nine articles and one extract. These appeared in a number of publications – art journals, women’s magazines, exhibition catalogues and the like – between 1923 and 1949.