Zoltan Torey’s Out of Darkness begins dramatically in Sydney. On a winter’s night in 1951, Torey, a refugee from Hungary studying dentistry, is on night shift at the battery factory in which he works to support his studies. When he moves a drum of acid, the plug blows off, ‘sending a massive jet of corrosive liquid at my face’. The acid eats into Torey’s eyes, blinding him for life. In addition, he swallows some acid, damaging his vocal cords. Torey describes this event twice: the second time, he emphasises how the event was experienced. ‘The last thing I saw with complete clarity was a glint of light in the flood of acid that was to engulf my face … It was a nano-second of sparkle, framed by the black circle of the drumface, less than a foot away.’ As this suggests, Torey’s prose has moments of extraordinary power.
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