It was the last day of the Giorgione exhibition in Vienna. The Kunsthistorisches Museum had organised a colloquium to coincide with it. Art historians – in this case the Giorgione brotherhood or amici in studi giorgioneschi. – had arrived for a final interrogation. Confrontations between individual work. of art, hanging adjacent to one another in the context of an exhibition, allowed for unique comparisons of some paintings by Giorgione, some attributed to him, some inspired by him. All were connected to the most enigmatic artist in the history of art.