Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Avec teeth, avec taste, avec everything

by
April 2006, no. 280

Not Wrong – Just Different: Observations on the rise of contemporary Australian theatre by Katharine Brisbane

Currency Press

Avec teeth, avec taste, avec everything

by
April 2006, no. 280

Imagine, if you will, the blessed child of a parthenogenetic conception involving the Oracle of Delphi and Cassandra. The girl has Cassandra’s clarity, passion and a good deal of her accuracy, combined with the Oracle’s high degree of credibility but without its duplicity. What could that girl grow up to become but a theatre critic and commentator, even if she had been raised in the 1930s, in the world’s most isolated capital city? Please note, before returning to mundane reality, how diminished the myth of Cassandra would be without the Trojan War, and how little we would care for the writhing of the Pytho, the priestess at Delphi, if Oedipus had not consulted her. A public voice needs subject matter that is at once contemporary and timeless if its utterances are to transcend the ephemeral.

Not Wrong – Just Different: Observations on the rise of contemporary Australian theatre

Not Wrong – Just Different: Observations on the rise of contemporary Australian theatre

by Katharine Brisbane

Currency Press

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.