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Andrea Goldsmith

Andrea Goldsmith is a Melbourne-based novelist and reviewer. Her novels include The Prosperous Thief (2002), which was short-listed for the Miles Franklin, the acclaimed Reunion, and The Memory Trap (2013), a novel of monuments, marriage, and music, awarded the Melbourne Prize in 2015. She also writes essays and articles, many of which are posted on her website. http://andreagoldsmith.com.au

Andrea Goldsmith reviews ‘What We Knew: Terror, mass murder and everyday life in Nazi Germany’ by Eric Johnson and Karl Heinz Reuband

June–July 2005, no. 272 01 June 2005
Three years ago in these pages, I wrote about the difficulties of exploring and understanding acts of human terror and brutality such as those that occurred during the Holocaust in Nazi Germany (‘Homer and the Holocaust’, ABR, November 2002). I noted that a certain etiquette had prevailed in the ever-expanding Holocaust canon, one that tended to privilege factual accounts – memoirs, historie ... (read more)

Andrea Goldsmith reviews ‘From a tiny corner in the House of Fiction: Conversations with Iris Murdoch’ Edited by Gillian Dooley

November 2003, no. 256 01 November 2003
Iris Murdoch’s first book of philosophy, Sartre: Romantic Rationalist, was published in 1953 when she was thirty-four years old. A year later, Under the Net appeared, her first published novel. If not for the war and its aftermath – Murdoch worked for the United Nations Relief and Rehabilitation Administration for two years – her first published works may have appeared earlier. And yet the y ... (read more)

La Trobe University Essay 'Home and the Holocaust' by Andrea Goldsmith

November 2002, no. 246 01 November 2002
I am reading Robert Fagles’s translation of the Iliad (Penguin, $26pb, 0 14 027536 3). Achilles is sulking in his ships while the Trojans and Achaeans slaughter each other. Choreographing the moves with astonishing wilfulness are the self-serving, all-powerful gods. The brilliance of the poetry keeps the brutality always in the high beam. Every spear thrust, every disembowelment, every spillage ... (read more)

La Trobe University Essay | Homer and the Holocaust by Andrea Goldsmith

November 2002, no. 246 01 November 2002
I am reading Robert Fagles’s translation of the Iliad (Penguin, $26pb, 0 14 027536 3). Achilles is sulking in his ships while the Trojans and Achaeans slaughter each other. Choreographing the moves with astonishing wilfulness are the self-serving, all-powerful gods. The brilliance of the poetry keeps the brutality always in the high beam. Every spear thrust, every disembowelment, every spillage ... (read more)

Andrea Goldsmith reviews 'A Family History of Smoking' by Andrew Riemer

July–August 2008, no. 303 01 June 2008
A Family History of Smoking, the most recent of Andrew Riemer’s memoirs, focuses on the world of his great-grandparents, his grandparents, and his parents. In so doing, it traces Hungary from the days of the Austro-Hungarian empire and its collapse at the end of the Great War, on through the brief springtime of the 1930s and the chaos of displacement and destruction of World War II. It is a rich ... (read more)

Andrea Goldsmith reviews 'A Reader on Reading' by Alberto Manguel

May 2010, no. 321 01 May 2010
During 2007 I became enamoured of podcasting. The Canadian Broadcasting Commission’s Big Ideas and Elaine Wachtel’s Writers and Company were among my favourite programs and I would podcast these each week, irrespective of the topic or the interviewee. Thus I heard Alberto Manguel’s CBC Massey Lectures, a series of five wonderful presentations collectively titled ‘The City of Words’. It w ... (read more)

Andrea Goldsmith reviews 'Marcel Proust' by Michael Wood

November 2023, no. 459 24 September 2023
In 1981, Terence Kilmartin’s revision of C.K. Scott Moncrieff’s 1920s English translation of Proust’s À la recherche du temps perdu was published. Against Kilmartin’s wishes, the new edition retained the unfortunate title of Remembrance of Things Past, but in all other respects the Kilmartin version significantly corrected and enhanced the Moncrieff translation.1 This became my Proust, an ... (read more)

Andrea Goldsmith reviews 'Best of Friends' by Kamila Shamsie

October 2022, no. 447 27 September 2022
During the pandemic lockdowns in the world’s most locked-down city, I made a survey of the reading habits of friends and acquaintances. While nineteenth-century classics were popular – Austen and Dickens were favourites, Tolstoy too, and Middlemarch – realist fiction, in general, dominated the reading choices. Among Australian writers were Christina Stead, Jessica Anderson, and Heather Rose. ... (read more)

Andrea Goldsmith reviews 'Burning Questions: Essays and occasional pieces, 2004–2021' by Margaret Atwood

May 2022, no. 442 23 April 2022
Earlier this year, while still much occupied with our works in progress, Drusilla Modjeska and I discussed what our next projects might be. We were both tempted to put together a collection of our shorter writings – essays, talks, reviews, articles – already written and just needing a touch up. ‘Money for nothing and your books for free,’ I said, echoing the old Dire Straits song – albei ... (read more)

National Library Australia Voices Essay | 'Flesh and blood imagination' by Andrea Goldsmith

May 1994, no. 160 01 May 1994
On a weekend when the Melbourne Age and the Australian could muster barely three book pages between them and only one review of a work of fiction, I went to an exhibition of Juan Davila’s recent work. The paintings were visceral, fierce, transgressive, shocking. Here was art disdainful of demands for beauty, art that took the notion of aesthetics into the dungeons of the mind. And it set me on e ... (read more)
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