Commentary

Coetzee’s Freedom

by Gillian Dooley •

September 2006, no. 284

Commentary

Coetzee’s Freedom

by Gillian Dooley •

September 2006, no. 284

In the 1980s, when it seemed that the situation in South Africa would never improve, debate raged about the responsibility of South African novelists to act as witnesses to, and opponents of, apartheid. Some believed that white writers, especially, should use their privileged position in the fight. Nadine Gordimer was prominent among those who felt it was essential to be, in J.M. Coetzee’s words, a ‘stripper-away of convenient illusions and unmasker of colonial bad faith’1 in the realist convention, rather than a spinner of postmodern metafictions.

Gillian Dooley

By this contributor

Gillian Dooley is an Honorary Senior Research Fellow in English at Flinders University, and a Visiting Fellow in the Music Department at Southampton University. Her publications include an edited book of interviews with Iris Murdoch (2003), V.S. Naipaul, Man and Writer (2006), J.M. Coetzee and the Power of Narrative (2010), and journal articles on a range of literary topics including music in the life and work of Jane Austen. In 2005 she co-edited Matthew Flinders’ Private Journal and in 2014 she published an edition of the correspondence between Iris Murdoch and the Australian radical philosopher Brian Medlin. She has been a regular reviewer for ABR since 2002. She is founding editor of the online journals Transnational Literature and Writers in Conversation.