A number of books have been published of late that theorise the function of literature in contemporary society (a trend indicative of an anxiety about literature in public culture, which is itself worth speculating on). In Why We Read Fiction: Theory of the Mind and the Novel (2006), Lisa Zunshine argues that reading provides us with cognitive practice for our lives as social beings, in which we are called upon to interact with and interpret others. Characterisation, then, would seem to be an important component of the appeal and function of a text. Henry James recognised the importance of character to narrative long ago. In his famous essay, ‘The Art of Fiction’, he asked: ‘What is character but the determination of incident? What is incident but the illustration of character?’