Nick Dluzniak

Tom Uren was a prisoner of war on the Burma Railway during World War II, a professional boxer in his youth and one of the dominant voices of the Australian left for much of the second half of the twentieth century. Martin Flanagan offers a wide-ranging reflection on Uren’s life, drawing on his experience growing up in the working-class Sydney suburb of Balmain to his days as minister for urban and regional development in Gough Whitlam’s government. In doing so, The Fight conveys the resilient and visionary spirit that was central to Uren’s character. But Flanagan’s stated purpose is much more than biographical; his aim is to show the need in contemporary Australian society for the passion and vision Uren displayed throughout his life.

A young Kenyan-born white man called Jason Conway has a revolutionary idea: he will save the African elephant from extinction by transporting the animal to the sparsely inhabited Kimberley region in Australia. Sounds far-fetched? In fact this idea, which forms the basis of Ivory to Australia, is less implausible than some of the action that surrounds Jason’s attempt to fulfil his wild scheme. Early in the novel, Jason foils an attempted robbery in a Nairobi restaurant by disarming and shooting one of the gunmen, only to go home to bed wondering if he should sneak in next door and conquer his one-time girlfriend, Jane. The action doesn’t stop there, as Jason, full of idealism, battles against Somali Shifta poachers and sceptical politicians in order to get his beloved elephants safely onto Australian shores.