When George Lambert returned to Sydney in 1921, he was celebrated as the most successful Australian painter of his time. With his cosmopolitan charm and forceful personality, he was in demand both socially and as a leader in contemporary art circles. For the previous two decades in London, he had exhibited regularly at the Royal Academy and the Chelsea Arts Club, rubbing shoulders with prominent British artists including William Orpen, Augustus John and William Nicholson, whose linear style and subject matter were not dissimilar to his own.