Defending Darleen Bungey

Dear Editor,

To write the biography of an artist as prolific and complex as Arthur Boyd is an ambitious undertaking, as Ian Britain notes in his review of Darleen Bungey’s account (February 2008). Her book took seven years to research and write; it underwent considerable peer review.

As its commissioning editor, I was delighted by Bungey’s highly original, imaginative and evocative prose. If Britain prefers, as he states, ‘the austerities of Franz Philipp’s seminal study ... Janet McKenzie’s beautifully economical monograph ... the poised, elegant restraint of Brenda Niall’, then he is so patently lacking in sympathy with this endeavour that he is unlikely to be fair to its author. And he isn’t.