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Angus Trumble

To celebrate the best books of 2005 Australian Book Review invited contributors to nominate their favourite titles. Contributors include Morag Fraser, Peter Porter, Kerryn Goldsworthy, Nicholas Jose and Chris Wallace-Crabbe.

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In the park outside my hotel in downtown Cincinnati, Ohio, there is a splendid statue in bronze of President James Garfield, modelled in 1885 by one Charles H. Niehaus and cast in Rome. The pose is oratorical and forms a convenient hub for several witty panhandlers. Somebody has lodged a Panasonic logo high up inside the twentieth president’s lapel. The Cincinnati Club is down the block, a huge post-Albertian palazzo that would have made the Gonzagas blush. For a wedding, floor-to-ceiling arrangements of white and pink roses and several truckloads of lily of the valley effervesce upstairs amid chandeliers, while jungly orchids creep down the front hall banisters – all clearly visible from the other side of the street. Obviously, they have invited only the immediate country. Around the corner is a hat shop from another era, with the elevated thrones of a separate shoe-shine department running down one side, and a fully operational hat-steamer snorting among stacks of boxes behind the wide counter opposite. I find myself being fitted for a beautiful pork-pie hat by Biltmore of Canada.

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ABR welcomes letters from our readers. Correspondents should note that letters may be edited. Letters and emails must reach us by the middle of the current month, and must include a telephone number for verification.

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Last week, escaping the latest blizzard, I went to Miami Beach for some sun. But it was cold and rainy, and they were noisily replacing the carpet in my hotel, so I was reduced to checking my e-mail in an Internet café and getting an expensive facial – truly a case of closing the stable door.

South Beach, as it is known, is widely celebrated for its art deco street and beachscape. This is one of the most colossally successful con jobs of all time. Take an unpretentious tropical beach community, popularised in the 1940s by canny Jewish holidaymakers from the north-east. Throw up a couple of thousand tawdry two- or three-storey shoeboxes with basic amenities: a couple of ceiling fans and no windows. Roll out some chrome cladding and neon. Toss in a bit of applied detail, a few top knots and some frosted glass. Then paint it an improbable pale pink or green or yellow, or some other combination of pastel colours that manage to be both insipid and stubbornly vulgar.

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The Oxford Dictionary of National Biography edited by H.C.G. Matthew and Brian Harrison

by
March 2005, no. 269

The new, three-and-a-half shelf-metre, 62.5 million-word Oxford Dictionary of National Biography (ODNB) brings to mind what Dante Gabriel Rossetti (q.v.) once wrote about Top, his pet wombat (d. 1870): it is ‘a joy, a triumph, a delight, a madness’.

In sixty volumes, the ODNB covers 54,922 lives in 50,113 biographical articles ranging in length from brief notes of a few dozen words to 37,400 (the longest, on Shakespeare). It is the work of approximately 10,000 contributors and advisers (302 of them Australian), and an Oxford team of 362 associate editors. The huge task of correcting and augmenting mineral water tycoon George Smith, Leslie Stephen, and Sidney Lee’s original DNB (1885–1900); revising and incorporating the twentieth-century supplements, and collating the lists of errata, which for a century have been patiently and optimistically accumulated at the Institute for Historical Research – to say nothing of the task of writing 16,315 new lives, and replacing nearly as many old ones – all of this was achieved in just twelve years, and on schedule.

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During the summer, Fire Island Pines, a scrubby Atlantic-facing dunescape off the southern shore of Long Island, is entirely colonised by gay men from Manhattan. Little dogs, swelling pectorals, postcards of Prince William and other clichés abound. The only way to get there is by ferry. There are no roads, just paths, jetties and boardwalks. This alone makes it worth the trip. Yet Fire Island has a distinctly ‘science fiction’ aspect, as if a cruisy gay nightclub in outer space for curious aliens and time-travellers. Here, glamorous youth and leathery, wobbling-tummied capital are exquisitely interdependent. From about four o’clock in the afternoon until six or seven, at the quayside tea dance, hundreds of shirtless men writhe to ‘Let the Sunshine in’ and other camp classics. All shapes and sizes. You can’t help thinking of those nature documentaries where colourful water birds peck grubs and insects from behind the ear of some lumbering wildebeest. I am not sure where I fit into this eco-system. It does not seem particularly fragile.

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Some years ago, at a busy intersection in Chicago, Popeye’s Fried Chicken sported a notice saying, ‘Now Hiring Smiling Faces’. It seemed to cry out for a poem, or at least a memory. If Angus Trumble’s A Brief History of the Smile does not allude to it, this is not for want of curiosity or vivacity on his part.

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