Cate Kennedy’s début collection, Dark Roots (2006), marked a change in publishers’ thinking about the commercial potential of short stories, and helped create the atmosphere in which Nam Le was signed up for his bestselling collection, The Boat (2008).

Kennedy was well known in literary circles before her book was published; she has won several of Australia’s leading short story competitions, including the Age Short Story competition twice. Dark Roots gained her a public following and cemented her status as one of Australia’s most accomplished writers, regardless of genre. The stories in Dark Roots are master classes in style and precision: a series of lives intimately sketched by way of carefully chosen, closely observed detail and elegant metaphors. Now readers will see how Kennedy manages the tightrope transition to the long form in her first novel, The World Beneath.