Children's and Young Adult Books

All too few books about Australian children’s writers and writing manage to find a publisher. They’re unlikely to sell enough copies, is the standard explanation. All the more reason, therefore, to welcome an even greater rarity – a book which focuses on the work of a single writer. Even if Gary Crew might not necessarily be everyone’s first choice as the subject of such a volume, all those interested in Australian children’s literature will hope that Strange Journeys meets with a success which will encourage the publication of similar analyses of other contemporary writers’ work.

With Gift of the Gab, Gleitzman continues the saga of Rowena Batts, the feisty twelve-year-old who previously appeared in Blabber Mouth (1992) and Sticky Beak (1993). Ro is the daughter of an apple farmer, a child with character, immense energy, and several problems: chiefly her inability to speak (she was born with 'some bits missing' from her throat) and her loving and much loved Dad. She copes with her vocal handicap through fluent sign language and a notebook at the ready, but Dad – an ardent country-and­western enthusiast, given to cowboy boots, loud satin shirts and a penchant for off-key renderings of his favourite ballads at every opportunity – is harder to handle.

Gleeson is an award-winning novelist for young readers, winning the 1991 Australian Children’s Literature Peace Prize for Dodger and the 1997 Children’s Book Council Book of the Year for Younger Readers with Hannah Plus One. Her other novels include I am Susannah and Skating on Sand, and her picture books include The Princess and the Perfect Dish and Where’s Mum. She is an accomplished writer, which is reflected in her latest novel for older readers, Refuge.

‘Yellow, yellow, yellow, yellow, I’m sick of wearing yellow!’ declares the pomposity of puffed-up Mr Toad, intends staying in bed until he gets what he wants – a new blue suit, like those worn by the Moon. Meanwhile, the roosters haven’t crowed, the cows need milking ... saplings want their dew and it’s bitterly cold, and so Mother Nature, Father Time, King Neptune and the Moon set out to solve the problem, with help from the Celestial Tailor. The results are ridiculous and enjoyably rude.

The fifth book in a planned series of seven would not be surprising if it were science fiction or fantasy. But Burning for Revenge is neither, rather its connections are with the much more currently unfashionable genres of adventure and war stories. And what a war adventure series it is. This fifth volume, in hardback, has been on the bestseller lists in this journal and daily newspapers since its publication – not usual for young adult books. The first, Tomorrow When the War Began, is fourth on Angus & Robertson’s Top 100 Books Voted by Australians – after Bryce Courtenay, but before the Bible!

It takes a book like Robin Klein’s The Listmaker to remind adults that a children’s book which succeeds in conveying a child’s point of view may well not immediately engage more mature readers. In this instance, Klein so precisely articulates the self-absorbed voice of twelve­year-old Sarah, the eponymous listmaker, that it takes an effort of will for an adult reader to persist past the first few pages of what seem like overstated emotions and overdetermined plot. Children will have no trouble accepting Sarah’s voice and understanding that it’s like it is because it’s been distorted by her circumstances. Adults too, however, would do well to persevere with The Listmaker, for it turns out to be a heart-felt indictment of how our greedy me-first society can damage children.

More than ever books on today’s market have strong competition – particularly so if the title is intended for the 10+ reading audience. Publishers of children’s literature are responding to the need to entice a reading audience from the many technological forms of vivid and spectacular entertainment. Jigsaw Bay deserves a mention in this capacity.

The puzzle of Jigsaw Bay begins on an autumn morning as Danny McCall sets off, not to school, but to a secret place on the bay where he is playing truant with Yoko and Sam who will soon be part of the mystery. The plot is a good action one, strongly based in environmental ecology, corruption, and power. Danny, Yoko, and Sam with the help of greenie school teacher Bob and some slick court room tactics eventually win out and the murky details of corruption in Billington are revealed. The ideas in the plot kept me reading to the end of the book which is intended to attract readers by its directness and lack of complexity. I question, however, whether in an effort to succeed, the author has underestimated his audience and with the very best of intentions has ended up short changing readers.

Lilith Norman’s exquisite novella was first published in 1978 and was an IBBY Honour Book in 1980. Set in a lovingly realised Bondi, the archetypal seaside suburb, the book packs a huge amount into its seventy-eight pages: life, death, love, grief; a question of focus; and, drawn in spare and beautifully controlled strokes, the disparate two worlds that touch at the shoreline.