Will Elliott

A young man wakes up in an unfamiliar world, with almost no knowledge of his previous life. He remembers committing suicide, but doesn’t remember why. This isn’t heaven or hell, though: as Aden explores his new surroundings, he soon realises that he has ended up in the fictional world created by his grandfather, an aspiring but unpublished author of epic fantasy.

A number of books have been published of late that theorise the function of literature in contemporary society (a trend indicative of an anxiety about literature in public culture, which is itself worth speculating on). In Why We Read Fiction: Theory of the Mind and the Novel (2006), Lisa Zunshine argues that reading provides us with cognitive practice for our lives as social beings, in which we are called upon to interact with and interpret others. Characterisation, then, would seem to be an important component of the appeal and function of a text. Henry James recognised the importance of character to narrative long ago. In his famous essay, ‘The Art of Fiction’, he asked: ‘What is character but the determination of incident? What is incident but the illustration of character?’